Cash flow

Posted in entertainment, Humor, Music, Parenting, travel by Shelley Sackier

This was a hugely busy week.

We sent our fourteen-year old son off to Ecuador this afternoon to live and work for thirty days in a small village that needs help building a schoolhouse. We had an endless list of things we needed to tell him in order to help make his trip run smoothly.

– We told him how to navigate through the airport.

– We told him how to manage his way through customs and immigration.

– We told him when he’d need to take his typhoid and malaria pills.

But we forgot to tell him he’d be living at the bottom of an active volcano.

Damn.

I knew we’d forgotten something.

Ah well, he’ll figure that one out on his own in double quick time if he needs to.

This whole shuffling your child from one continent to another seems so much easier on paper than it turned out to be. There was a plethora of little things that kept popping up along the way. Doctor visits, pharmacy pickups, packing lists and forms to fill out. Plane tickets, insurance policies, baggage rules and passports. There were emails and phone calls, interviews and consent forms. I spent more time at our local bank writing my signature in front of notary publics than I spent sitting in my childhood living room learning how to play the piano.

The largest of the pains was renewing an American passport. Just saying the last word makes my teeth itch.

Because my son is fourteen, it is deemed unreasonable by our government that we could renew his previous passport of nine years and a few months via the United States Postal Service, as one can conveniently do as an adult. Procedure for anyone not yet sixteen is to go through the entire passport application process in person.

Easy enough. So we thought.

We had just over three weeks to get it done. I showed up at our local post office, where there is a small passport agency the size of an airline toilet. In front of it is a snaking line that would rival the opening of a new Disney theme park, filled with people expecting to gain entrance into that toilet.

Showing up in person was the alternative to continuing my fruitless efforts at getting a hold of someone via the telephone. I’m sure everyone is familiar with the drill. You phone, an automated voice system answers, you are directed to punch buttons indicating your choice from the options—a lengthy series ranging from, “Press one if you’d like to hear us read the instructions for filing an insurance claim, and understand why we feel it’s pretty pointless on our end,” to, “Press nine to track and confirm a shipment that we’re not entirely positive matches the eleven digit number we gave you to begin with.”

What I was searching for was, “Press eight to hear the committee notes revealing the reason we decided to choose the music icon Johnny Cash as the next face of our Forever Stamps series, and to listen to one of his ninety-six studio albums. And also, wait here if you want to talk to someone about a passport.”

*Cue head falling on desk.*

After hearing and cataloguing the nearly fifteen hundred Johnny Cash songs, I was finally transferred to the passport office where an automated voice told me that if I pressed “one,” I would be treated to a fascinating history of the Bureau of Consular Affairs, and if I pressed “two,” I would be connected to an operator in order to schedule an appointment at the passport office. Of course I pressed “two.” And of course I was redirected to the beginning of the Johnny Cash Collection.

In the past, I have waited in that snaking Disneyesque passport office line for hours on end to no avail. As the office is open for a miniscule amount of time—from 10:30 until 2:30—and the one fellow who mans it has a lunch break from noon until one, the window of opportunity to make it to the front of the line only with the intent to make an appointment is slim to *insert maniacal laughter here*.

The good thing though is the folks in my village really look after one another. Throughout the queue of waiting taxpayers and among the sleeping bags and hot pots, someone is always making a fresh batch of granola and finishing off the month long fermentation process of stewing a gallon of kombucha tea. There’s plenty of sustenance.

As this is an exhaustingly long tale that include chapters about eventually giving up on our local office, traveling to another city, paying vast sums of money to be given the privilege to “track” online our son’s renewing passport as it sat IN TRANSIT for two and a half weeks, only to hear the application is missing information that no one had the authority to relay to us, my husband finally gave up and was about to go postal.

He drove for hours to our nation’s capitol and started offering sacks of gold, the Holy Grail, or every internal organ that was medically extraneous in exchange for an audience with any person who could help.

Apparently, someone was in need of a kidney, and as you can see from the second line of my essay, our teenage son is now up to his kneecaps in adobe bricks (and hopefully not molten lava).

It’s a frustrating process, having to slog through federally run organizations in order to obtain what you need, and we made it to the other side of this one only by the skin of our teeth. But we sent him on his way with everything ticked off on the packing list.

– Passport

– Sleeping bag

– Bug spray

– A gift for the villagers embodying a hallmark of America

Well, as far as the gift is concerned, I’m imagining that shortly, somewhere in Ecuador you will find a small schoolhouse whose students know all fifteen hundred Johnny Cash songs.

It’s catchy stuff.

~Shelley

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott’s humor–all from the only pen carved from a human funny bone–click here.

Happy 44th Birthday To Johnny Cash’s “Boy Named Sue” [VIDEO] (k99.com)
3 Travel Ordeals: How to Recover (community.ally.com)
Q&A: Manuel, the Designer Who Turned Johnny Cash into “The Man in Black” (esquire.com)

26May2013

Brass bands, the backwoods and bugle boys.

Posted in Farming, Holidays, Music, Wisconsin by Shelley Sackier

I grew up in a pint-sized town where we had one of everything: one post office, one school, one grocery store and a helluva lot of one-dimensional thinking.

It’s not that I criticize the folks from my childhood home, because this was normal to me. We were a half-baked bunch of farmers and families with an unsevered umbilical cord that received a good, solid yank from the motherlands of northern Europe on a regular basis. Accents still sprouted through the soil even through years of plowing the old languages asunder. And my reference to half-baked couldn’t be truer, in that anyone who has spent some measurable amount of time in the upper parts of the Midwest will agree that the sun’s grace and efficacy was short-lived and insufficient. It usually left many of us looking like pallid, stodgy bakery goods with no leavening agent.

It was a safe and dependable place to grow up. The cows were content, the back roads straight and you could set your watch after waving to Mr. Sobieski as he headed out in the morning to go fishing and came back in for meals. Betty’s Café always served pie, the Miller’s butcher shop had the best big pickles in a barrel, and the lake was either covered by ice or algae, but sometimes both—depending upon the season.

There was another thing that happened like clockwork in our village, and that was the annual Memorial Day parade. As a scabby-kneed kid, all I cared about was being close enough to the curb to scoop up a Tootsie-Roll or two as the 4-H float came rolling by, its riders tossing candy into the crowds. And maybe I wanted to catch a glimpse of the oldest Gold Star Mother as she was transported down Main street, likely wishing she was being honored for anything else other than having lived longer than every other mother in our town who lost a son or daughter in dedication to our country’s service.

When I was old enough to ride the 4-H float myself, I only hoped my aim was sure and that I wouldn’t blind some poor elderly woman who was probably only there to show strong moral support to her Gold Star Mother best friend on the float behind me, and who was now weeping openly at having caught a Tootsie-Roll in the eye.

When I was a teenager, my main focus was finding some way to gain membership to the high school marching band. Since I played the oboe, my instrumental participation was nixed. My suggestion of having an oral surgeon striding in scrubs a foot behind me was a solution no one agreed with, as it would mess with our formation and color coordination, That meant I could twirl flags or rifles. Since the flags were three times the size of the rifles and much easier to spot if you screwed up on the routine, it was a no brainer. I learned how to snap, twist and hurl a chunk of wood. It was incredibly impressive. And incredibly loud if it fell. Which was often.

The coolest thing about the marching band—and in particular the flag and rifle corps—was that we were outfitted in full Scottish regalia. It was also the hottest thing about the marching band. Covered head to toe in folds, layers and bolts of heavy, tartan wool, we prayed it never rained during the parade, causing us to smell like fetid farm animals and creating a cavernous gap between us and the floats before or after the band. And we kept our fingers crossed it never got above fifty-two degrees, at which point you were beyond sweltering and marchers would start dropping like flies. As long as we could contain most of the drum section, folks didn’t seem to care. It wasn’t like we were throwing out candy or anything.

The parade lasted all of about five minutes, there being only the two floats and the marching band, but once you knew it was over, the whole town would follow behind and bring up the rear, walking in time to the remaining drummers until we reached our little town park and the local swimming hole, which was no bigger than a large rainwater puddle. Here, everyone would gather round the flagpole, listen to Pastor Anderson give his memorial sermon, see the wreath dedicated to our fallen soldiers be placed in position, hear the three or four men representing the American Legionnaires fire their arms in salute, and lastly, listen for the bugle player from the marching band—hidden somewhere distant in the woods—follow the gunfire with Taps. Our fingers were always crossed in hopes that he was not one of the members lost along the parade route. Our fingers were also crossed in hopes that he remembered to practice the night before.

No matter how old I was, what part I played, or what accents murmured around me, I understood the message: This was important.

More important than fishing, pie or pickles.

This was freedom.

My country, ‘tis of thee, sweet land of liberty, of thee I sing; land where my fathers died, land of the pilgrims’ pride, from every mountainside let freedom ring!

~Shelley

‘Ghost’ of Montrose air base to be honoured (scotsman.com)
The Story of Taps (ourgrainofsand.wordpress.com)
Full version of Taps (Youtube.com)

27Jan2013

SILENCE!

Posted in Humor, Music, Technology, Teens, Virginia, women, writing by Shelley Sackier

I … can’t concentrate.

Everywhere I go there’s too much noise. A plethora of distractions. An abundance of chatter. Multiple—what? No, you may not make a pizza. We just finished dinner.

I need a space where no one is allowed. An opaque bubble unpoppable by anything apart from spurting blood, ravaging flames, or—I’m not sure. Ask Dad, but I think it’s your turn to feed the sheep.

My space is not sacred to anyone but ME.

The act of writing does not come easily to me. In fact, it’s much like hiding under the bed and trying to gather dust bunnies. Suddenly, I’m holding my breath, desperately hoping not to be discovered by the serial killer who’s broken into the house and is hunting me down. If I don’t move, if I’m very still and shut my eyes to the scariness around me, I just may make it to the other side. If I let a squeak of surprise escape my lips at seeing the shoes of my killer slip through the door and bonk my head on the bed frame, he then drags me by my feet out from under the bed and poof–that’s the end of that.

Okay, let me try and explain. I am me. Under the bed is my dark, safe, quiet haven. It’s full of ideas in the form of gossamer, almost intangible substances. And the rest of the world’s occupants are the killers of my creativity. Bam! It’s over.

I don’t know how people do it–how to think through noise.

I’ve had to alter my schedule this week and have been forced out of my dark cocoon. I’m set up in a coffee shop. I hate it.

First of all, I’m forced to buy something I don’t even want in order to justify taking up space and bandwidth. I could make five or six cups of tea at home for the price of one that I had to purchase here. And it’s not my kind. It’s not my anti-stress/full-of-zen/conquer-the-keyboard kind of tea.

Secondly, the chairs are horrible. Like sitting on rocks. I miss my chair. It swivels. It has padding. It’s got wheels. And I’ve changed my mind. These chairs should take lessons from rocks. They aspire to be as comfortable as rocks.

Next, I can’t even keep track of the number of conversations taking place around me—none of them interesting. I’ve eavesdropped on them all. Wendy is having another baby. Pranav doesn’t think this semester’s anatomy class is moving along fast enough. Jared is finally quitting his job because his boss, Alicia, keeps cornering him in the men’s bathroom demanding—shhh … wait … that one is interesting.

Someone’s cell phone twinkles with silvery, sparkly twiddly bits every twenty-two seconds, which is what I’m guessing is the exact amount of time it takes two teenagers to text a conversation that involves words like:

Texting on a qwerty keypad phone (Photo credit: Wikipedia)

‘Sup?

Dude

Heya, Bro

WUU2

Nothin ATM U?

i hate my life

Lol

LMAO

OMG

T2UL

Riveting, right? WRONG.

It’s distracting.

But only for me, apparently. Everyone else is still able to focus on reading their emails, memorizing great swaths of soon-to-be tested-on material in their textbooks and most importantly, following Jared as he struggled to politely pull his tie out of the sharply filed, dragon lady red fingernailed fingers attached to the breathy and threatening Alicia.

The espresso machine hisses and sputters. The earphoned man next to me watches The Office on Netflix and laughs like he’s sitting in his boxers on his apartment couch. He even belches impressively and doesn’t take notice of the fact that three people around him recoil in disgust. Okay, it was just me, but I did it twice in case he didn’t see me the first time. It doesn’t matter. Steve Carell rules.

I put my earbuds in. Should have done this a long time ago. I tune into Pandora—Native American flute music. But it’s too close. The flautist’s breath is right in my ear, making my hair flutter. The earbuds are massive, built for someone with an ear canal the size of an elephant. It’s painful. On top of everything else, every two minutes an announcer reminds me I’m too cheap to spring for the full paid version and maybe I should consider this for the sake of uninterrupted sanity.

I know what will save my mental health, and it ain’t forking out more moola. It’s just me. Back home. In my chair. With my tea. And no earbuds. And no one else.

Okay, except for Jared, but just until I find out if he finally gave in.

~Shelley

Don’t forget to check out what was cookin’ in the Scullery (here) and what we all talked about down in the pub (here)!

*And another big thanks to Robin Gott for his perfectly accurate penned depictions of how my words look in pictures. To see more of his humor, click here and here.

6Jan2013

An epiphany on Epiphany

Posted in Catholic Church, Festivals, Humor, Motherhood, Mountain life, Music, Poetry by Shelley Sackier

I have at last allowed myself a semi-week off from blogging.

1_G (Photo credit: Andrew Teman)

This week, instead of writing, I shall be busy with:

1. Twelve months of laundry.

2. Eleven pipes a’ leaking.

3. Ten floors worth sweeping.

4. Nine socks for darning.

5. Eight weeks of grouting.

6. Seven coons for skinning.

7. Six stalls worth mucking.

8. Five … chain-sawed trees.

9. Four shotguns cleaned.

10. Three squirrel stews.

11. Two brawling rams.

Sheep shows, sheep and wool industry / by Sam Hood (Photo credit: State Library of New South Wales collection)

12. And a snooze next to the Christmas tree.

After that, if there’s time, I may tune into the Presidential debates. But no worries, because I’ve taped them all. And don’t tell me how it turned out. I know I’m a little behind, but I love hearing Walter Cronkite announce the newly incumbent.

And that’s the way it is …

~Shelley

Don’t forget to check out what was cookin’ in the Scullery one year ago (here) and what we all talked about down in the pub (here)!

14Oct2012

Nothing to fear but fear itself. (And the mic, the stage and the 800 people.)

Posted in entertainment, Humor, Mountain life, Music, Performing by Shelley Sackier

Port-42 (Photo credit: Wikipedia)

October is full of things meant to scare you: ghoulish sites and hair-raising sounds, grisly stories and spine-chilling escapades. But if you have never had a case of stage fright, it means you still have a few degrees to finish up before rounding out the circle of fear.

For those of you who haven’t, chances are it’s simply because you have never been through a ceremony like marriage, a graduation or have been asked to carry the final torch to light the Olympic flames.

Have you never been the center of attention for a recital, a birthday or burial? (Hey, that last one could occur. People have been buried alive. And I would imagine it’s got to be somewhat stressful.)

Maybe you haven’t even given a toast or led a fascist movement.

For people who have experienced something akin to the above, they usually announce one of two things:

I like having people watch me.
Allowing people to watch me is creepy and should be illegal.

If you fall under the first category, you can choose to stop reading this essay, pat yourself on the back, and head back to your chair on the judges’ panel for American Idol. Of course, you’re welcome to continue reading and catch a rare glimpse at the other side of normal.

English: LED lighting instruments used on Radiohead’s recent tour. (Photo credit: Wikipedia)

If you find yourself assigned to group two … walk with me a minute. Let’s remember why it’s best to leave the spotlight for the big boys.

The first thing that happens is the invitation to walk on stage–an enticing summons that fills your head with mind-altering thoughts of flattery. Ah, this person sees in me that which I knew deep down was there: GREATNESS.

Apparently, the word is out. You need to be shared with an audience of more than just your bathroom mirror.

You accept the call. Wave it off as if it’s something you routinely do and hope to remember to jot it down in your calendar. Of course, details will come later. No worries. Loads of time to prepare. Yes, it’ll be fun.

The second thing that occurs is nothing.

That is, you do nothing for three months except occasionally see the penciled notice in your calendar and dismiss it from your mind with the same gesture one uses to swipe a mosquito from your vision.

Next, you’re sent reminders. They pile up on your phone and email account. A note is left on your car. Somebody hunts you down at the gym. Remember you said you’d perform? This suddenly translates to: You promised to give me your kidney.

Things begin to crystallize. Like the fact that you were a dolt for agreeing to do something like this in the first place.

You begin to practice at home.

You realize your material is best suited as an ingredient in the manufacturing of pellet packaging matter.

You make another choice. Anything will be better than doing what you originally thought would be acceptable. It’s awful.

It’s all you have.

English: The illustration shows the major signs and symptoms of heart failure. (Photo credit: Wikipedia)

You go back to the original. It’s not as bad as you thought.

The night before, you stay up until 2:30 debating whether or not you can pull off a sudden case of laryngitis, scurvy or congestive heart failure.

You wake in the morning to realize that sadly, you’re healthy, apart from a slight tremor you developed in the middle of the night.

You show up at dress rehearsal hoping for a large sign indicating the show has been canceled and participants will still be generously acknowledged in the local newspaper.

Instead, there’s a woman with a clipboard, a dour expression and a habit of glancing at her watch as you approach.

Your tremor increases, making your car keys jingle like tiny sleigh bells in your hand.

The stage manager tells you where to sit, where to wait, where to walk and finally where to point your mouth when the time comes. Smile up there. Don’t look down. Please don’t trip. This is reinterpreted as Wait a second. I can’t breathe. What’d you say?

It doesn’t matter. You’re dismissed. You must come back in two hours.

Must you?

How much gas is in your car? How far can you drive if you start now?

You return out of guilt. And the fact that you have only a quarter of a tank and you’re fairly certain someone was tailing you the entire time. You hate accountability.

You sit. People filter in. The muddled noise of the crowd is a swooshy sound not unlike the fuzzy garbled reverberation of the one word echoing in your head: idiot, idiot, idiot.

An Austrian curtain. (Photo credit: Wikipedia)

The curtain opens and the first act plays spectacularly.

The crowd applauds and your tremor is now sizeable enough to register on the Richter scale. The applause dies down apart from one person who continues on. Why won’t they stop clapping?

Wait a sec. That’s your heartbeat.

You cannot feel your feet.

Person after person and group after group performs with eloquence, style and ease. These people belong here. Look at them. They don’t even wave to their parents in the crowd–that’s how practiced they are.

It’s your turn. You’re tapped on the shoulder and sure you would have felt it had your whole body not gone numb. Your vision grows tiny, two infinitesimal pinholes of light at the end of long dark tunnels.