See No Evil, Hear No Evil, Kill No Weevil

Last week, one of my cats did something weird.

That statement, in and of itself, is a little unusual, as this particular cat is always doing something weird—talks to lamp shades, tests the running water temperature from a faucet before agreeing to drink from it, and as she’s left-handed, she insists on ergonomic southpawed Fiskars, so for me to notice … well, I think you get my point.

This new particularly weird thing was her staring at a small crack in the wall. A puncture wound of sorts, straight through the plaster. And then the next day, she put both her paws on either side of that wound, standing meercat style, and began a new phase of the “what’s behind the wall” festival.

I sat there with her for a while one day. Heard nothing, smelled nothing, and I certainly didn’t get any of the creepy, hair-raising, goosebump inducing feelings she’s produced in me before when discovering that she’s likely communicating with someone who died in that general vicinity (I spent a fair amount of time this last year in an old cottage that once served as a hospital for a Civil War arsenal compound, and this cat—along with all the house cats—spent countless hours with wide-eyed expressions, howling at a stairwell.).  

This time was still just a mystery waiting to be solved.

But as of last night, my dog joined her in the wall staring competition. Now two furfaces were trying to convince me that I should take a sledgehammer to that plaster work just to see what has taken up residence there.

Again, I sat with them both as they studied the inner cladding of my laundry room, its blinding whitewash lacquer revealing nothing and instead simply generating the occasional cock of one of their heads. Alas, we must remember, the absence of evidence is not evidence of absence.

I would have agreed without argument that both could hear something my ears were not privy to—the pattering of mouse feet, the fluttering of insect wings, the terrifying audio NASA has just released from a black hole at the center of the Perseus galaxy cluster—if it weren’t for the fact that one of them was stone deaf.

But maybe there is scent as well as sound, as the deaf hound can certainly still identify from three rooms away the fact that I ate a piece of bacon twelve hours ago.

I’ve called the pest company I have a quarterly contract with, and they gave me the choice of a visit from someone on their varmint team or a technician within their paranormal investigations department, but either way, they’ll be dressed in a hazmat suit and would be spraying some sort of exorcistical holy water. I’m still deciding.

At one point, during one of the bewhiskered gatherings, I joined in. I sat on the floor, stared at the plaster puncture, and focused. Things grew a little blurry and I began to feel like I was searching and waiting for a Magic Eye image to appear—some 3D illusion requiring patience and perhaps a lost instruction booklet to successfully view.

Image credit: Sally Flicker

Then I closed my eyes and simply focused on sound. The hound is barrel-chested; therefore, his breath is so audible, one can nearly hear all the pleural friction taking place in his ancient lungs. The cat has a habit of licking her lips and swallowing frequently, which to me indicates that whatever’s behind the barrier is either worthy of salivating over or she is fostering a nervous tick revealing how she’s trying not to freak out. It might also point toward dental disease, but that’s a next month’s problem.

While the three of us concentrated on something only two of us were truly aware of, a second cat slinked in. She looked about the room, quietly assessed the vibe, and then crawled into my lap, wedging one bony shoulder into the crook of my knee and keeping one eye open whilst the other took a break. The next few minutes of silence was equal parts unsettling and soothing.

The next afternoon I came upon the weird cat, again, simply paying homage to the drywall. I sat down, assumed the position, and waited for the wooden floor patter of the remaining eight softly padded paws to make their way to our small, shared space—which they shortly did.

And whether everyone was intrigued by the invisible entity, waiting with curious anticipation as to its reveal, or some were simply there to catch half a face full of shuteye, what was clear was that this chunk of fading linoleum was becoming a slightly sacred space.

And apparently, we were settling in for a spell.

And perhaps a spell is what we were under, as the next thirty minutes escaped unnoticed. Maybe this was the point—maybe that peaceful half hour was meant to be experienced in a state of heightened oblivion. Not asleep, not awake, just present, like the thing we could not see.

A ringing telephone brought us out of our stupor with the answering machine announcing, “Hey, this is Marvin from the Ratty Shack. I hear you’ve got a problem. Give me a call and we’ll get rid of it.”

I then stared down at the blinking, watery, and in some cases, cataract clouded eyes of my fur family and said, “I vote we wait on Marvin. Same time same place tomorrow?” We left in tacit agreement.

Life goes on. Pestful but peaceful.

~Shelley

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Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

Success Has Many Fathers … and Mothers, Teachers, and Mentors.

My daughter sent me a cartoon today, the day after she and many others participated in the successful and somewhat unfathomable feat of landing a rover on Mars.

Countless people have reached out to congratulate me with phrases like—Proud Mom, Rockstar Applause, or #dreamcometruekudos. They are all lovely and wholly touching sentiments that are full of genuine warmth and well wishes. And I have received every single one of them with the same affection they have been delivered.

But I also understand now more than ever, and certainly see crystalized in the cartoon above, how each one of us is such a small part of the larger picture. Our accomplishments are a composition of all the people who have touched our lives in big ways and small.

And although there are no moments when her and her team have a red-carpet opportunity to say thank you to the countless individuals who helped land them where they are today, I have been lucky to hear myriad conversations where endless individuals unrelated to the team have been singled out with gratitude and admiration.

If we live with fortune on our side, we may traverse down a long path where we first begin in need of great assistance—and it is provided—then turn the bend where we become part of a team, helping to shoulder the load, and finally, march at the head of the herd, leading with confidence birthed from experience.

I think most of us would agree there are few people who claim they deserve solo credit and are entirely self-made, as we simply need to reflect for mere moments to discover that at some time, somewhere, someone opened a door for us—even if just a crack.

Perseverance, the Mars 2020 rover, and the red planet’s newest resident is an ideal example of how collective desires came together to create something extraordinary. It was first envisioned, then built by loving hands, meticulously developed for a far-reaching and incredibly ambitious purpose, and finally unleashed, propelled forward with trepidation, but ultimately with immeasurable fingerprints of hope attached to it. We wait with bated breath and watch from afar, occasionally offering support, but mostly crossing our fingers that Perseverance will do what she was always meant to.

It’s true, not every child is built by loving hands, or has the opportunities we know would be most profitable and rewarding for them, but the model is there. And reaching one’s potential is a much more arduous challenge, if not an impossible accomplishment, if one is faced with a solo journey.

As our planet swirls with the ebb and flow of prosperity and unrest, we are continuously reminded about the importance of the investment in our future. And our children are clearly our future. They need us to dream them into reality, to nurture them toward potential, and open the doors to their success.

Each one of us has something worthy of contributing to this planet’s collective children whether we are their earliest preschool mentors, the physics instructor who hinted you might not be capable of work in his classroom knowing it would be used as a motivating phrase to prove him wrong, or the person who gave them a summer job in a field they had no idea they’d soon develop an interest in. We are all teachers in some realm. Big and small, positive and negative, impactfully lasting or eventually forgettable.

And it is with these words that I am encouraged. Our roles in life may differ, as we may never be the individual who wins the contest, who is elected to the post, or who discovers the earthshattering cure, but we are part of the journey where others reach those heights. Every rung on the ladder makes the toilsome climb less cumbersome and more realizable.

Therefore, not only do I send a massive congratulations to all who made this spectacular and otherworldly feat a reality, but I cast a wide net of gratitude to all the people who helped to develop my child’s dreams and earthly purpose.

Thank you for your loving hands, as it is up to all of us to play our part, wherever we are on our individually calibrated path of life, to participate in the projects of building great things, or maybe more importantly, building great people.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

Black-Eyed Peas: Apparently Good Fortune Comes from Good Fiber

If ever I needed proof that I am only mid-way through the birthday year where I naively wished for a spate of fresh challenges, it has fallen into my lap like spilt New Year’s champagne.

Any thoughts that the clinking of bubble-filled liquid in crystal would somehow wipe the slate clean and bring me respite was about as viable as believing hugging a skunk would turn out favorably.

I’ve have witnessed those who’ve tried and made a wide berth of their error.

And if I believed my deceased female relatives—a band of cackling, clever ancestors to whom I sent this credulous ‘speak-to-the-dead’ request to—had left their watchful posts for one instant when the clock struck its first moment of 2020, I was sorely proven wrong.

They are nothing if not dogged, steadfast, and no doubt thoroughly enjoying themselves.

It has been half a year of watching me trip over my tongue, toes, and trifling talents and land ungainly in cow-pie patties so stench-ridden they even give pause to most dogs.

I have hosed off and gotten back in the proverbial saddle more times than a handful of stuntmen. And my message to them on this fresh first month of the year is thus:

Go choke on it.

As of now—simply two weeks into 2020—I have the new and unwanted experiences of

  • One dead deer
  • One damaged car (soon to be …)
  • One dead car
  • One dead residential water system
  • One restored residential water system minus one toilet
  • One dead computer
  • One restored computer (think snail with a limp type vitality)
  • One partial electrical failure
  • Two partial electrical failures
  • Three whole electrical failures
  • A request from the IRS to provide all receipts from when I was fourteen and started working part-time in a strawberry patch.
  • Lost productive work hours wishing for the traumatic fatality of the IRS

 

I’m sure with one refreshing glance upward you can pinpoint the theme present in abundance:

I’m in need of a drink.

And likely an exorcist.

I’m not entirely sure what kind of a kick these vengeful visitors are experiencing as they continue to shovel calamity upon calamity in my direction, but referring back to that whole “spot the motif” concept, my guess is they have some sort of monthly execution quota to fulfil, and I was an opportunistic target.

Or … it could be that thing I did in the grocery store on December 31st.

I walked through the produce section to pick up a few last-minute things for dinner. There, squeezed between three elderly turnips and a basketful of withering Brussels sprouts was a bag of black-eyed peas.

I picked them up and rolled my eyes—which must have made a loud sound—or it could have been that my eye-rolling was accompanied by some giant snort, because a tall sapling pretending to be a human scuffled over to see what was amiss.

Is there a problem, ma’am?

I glanced up at the young man’s employee name tag. Just bemused by the fact that a package of dried black-eyed peas is mixed in with the fresh produce, Leverette.

He studied the sad display. Well, because it’s New Year’s.

I scratched my head. But they’re dried.

He shrugged. Doesn’t make ‘em any less potent.

I must have rolled my eyes again because he continued. Surely you aren’t one of those scoffers, are you, ma’am? One of the reasons we place them here is for ease of access. A reminder of necessary tradition.

I picked up the sad sack of Brussels sprouts. I’m more into “necessary nutrition.”

Leverette’s eyes went wide, and he jabbed a pointy finger toward a faded insignia on my hoodie. NASA thinks they’re good enough. They’ve been test-growing them for years in fake space vehicles and Martian greenhouses.

I narrowed my eyes at him and then whipped out my phone. Standby, Leverette.

I texted my daughter.

Uh … sure, that sounds like a thing we’d do was her reply.

Dammit.

I threw my nose into the air and glanced back up to catch the supercilious expression Leverette now displayed. I’ll pass, I said, and gave him a wave. Then I mumbled something under my breath about going home to make a pot of four-leaf clover soup.

Apparently, the witches were watching.

And likely rubbing their hands together with glee.

Which I find extra annoying as it makes the scent of one of those old aunties materialize. And it is an aroma that was long ago burned into my brain as specifically identifiable to her. All musk, earth, and sandalwood steeped in the smoke of her long, thin Virginia slims.

Well, that’s what I guessed they were, but I was young, and for all I know she could have been smoking incense sticks.

But the scent is present, and I’m sure it’s her.

Or it could be the wires in the walls finally sparking and smoldering. Chances are that’s what’s next on the list.

As I sit in the dark and shine a flashlight on my taxes, I try to hearten my gloomy mood with the acceptance that it’s only another five months.

I then load up another spoonful of black-eyed peas and force myself to swallow it.

Because who couldn’t use a little extra fiber, right?

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

 

Words Fail Me

I come from a family full of stage folk.

I’m pretty sure that somewhere on my birth certificate it states that I wasn’t born in a hospital but rather on the jutting apron of a stage.

I was raised flossing my teeth on the grimy ropes of the house curtains. I learned to crawl up on some poorly constructed way over-budget theater catwalk. And I probably believed for years that whomever was hired as the followspot operator for the sun should be readily fired, as he was doing an abominable job whenever I was outside and in need of illumination.

There was the stage, and then there was … well, I heard there was other stuff, but I wasn’t sure what it all was or looked like.

Whether drawing a bow across an instrument shaped like a violin but surely in truth a tortured cat, skipping across eighty-eight keys with the hope and a prayer that some of them will be the right ones, and a few in the right order, or clutching a microphone and praying it can cover the intense alarm on my face as I gaze out over a crowd of hundreds, it didn’t matter that I left my lunch in a bucket backstage before stepping into that lonely pool of light. What mattered was that minutes later I realized that I’d left my heart out on that dais and that I was going to have to go back there to get it.

Because I wanted to do it all over again.

I’m not sure if the real thrill came from the adrenaline rush of standing in front of showgoers and hearing them applaud at the end of the number or the stress release of realizing that I made it through to the end, had not fainted in the middle of my performance, and no one had to rush up on stage and drag my limp body off into the wings.

It was always, always a possibility.

And the thing that created the most mammoth amount of nerve jangling? Going blank.

I’m going to guess that most folks have had this happen to them at least once in their lives. You forget someone’s name, all the facts you’d just crammed into your head the night before for the big test have suddenly vanished, maybe you arrive in a room and think, I’ve walked down into this cobwebbed, basement utility room for … what again?

And the consequences for these blunders can range from annoying to GPA torpedoing.

My vocation blunders were usually on the end of the spectrum marked “cringe-worthy.” That just went with the territory.

But thankfully, there were a boatload of tricks I’d learned over the years, ready to be shelled out at a moment’s notice, if my brain suddenly blew a fuse and all went dark.

Lose the thread in the middle of your fiddle solo? Just “accidentally” knock a peg and lose a string. Then give a nod to one of the guys in the band. They then take over while you just start clapping along and wait for a stage hand to slide you your spare Stradivarius.

Blow the choreography? Quick do the splits. Audiences love the splits. It’s both riveting and unsettling. And throw in some Travolta disco fever hand gestures. Pretty soon one of the other dancers is going to improvisationally pick you up and help pirouette you off the stage and out of the fray.

Forget the lyrics to your song? Point the mic to the audience and scream, “Sing along! Y’all know the words!”

Or step on the microphone’s cord and unplug it—or if it’s cordless, switch it off, and bang it on your hand like the battery’s gone dead. Send up looks of frustration to the sound booth at the back of the theater and shrug apologetically at the crowd.

There’s always something one can do to hide a misstep or mistake, and the more you do it, the more adroitly you grow at gracefully sliding around it.

But … what if the mistake is not you but your audience?

Yeah, sure, that’s a bit meta. But let me explain.

These days I no longer shuffle or sing or fiddle my way across a platform, I simply speak atop of it. I visit schools and libraries as an author determined to inspire middle school and high school kids to leap off the great precipice of possibility, wade through the wretched whirlpool of failure, and trudge down the precarious path of the Hero’s Journey just like their favorite characters.

I also encourage them to erect statues of all their school librarians.

But occasionally you get thrown a curveball you’ve never been thrown before—like arriving to give a talk to a bunch of people who were half the people you thought they’d be—not as in size, rather stature. As in, some of them were still busy forming eyelids and fingernails. One or two of them were definitely going to struggle with my talk mostly because talking was an incredibly fresh activity for them.

How could I deliver a message which was tailored to kids who were already prepping for their SATs when the true audience was still working on their ABCs?

I panicked. And it wasn’t pretty.

There was no mic to sabotage, no instrument to abjectly point to with regret—there wasn’t even a back door. And a back door is crucial if your excuse for not showing up when your name is called is that you heard cries for help out in the alley and rushed to aid the distressed and then rode along in the ambulance to make sure the paramedic had enough blood on hand because you happen to be O negative and the universal blood type.

I stood in front of these tiny preschool and elementary kids as they whirled in circles on their swivel chairs. Extra added bonus? The swivel chairs also had wheels.

My brain raced and squealed in a high-pitched hysteria: How do I rework and reword my ten minute tale of resilience about strong-willed and single-minded NASA scientists who had worked for fifteen years on one Mars rover project only to see a fat chunk of their life’s work come to a hugely crushing end because of some unforeseeable and miniscule error in math calculations?

So … there are these people who built a thing that went up—up to where the stars are, right? And this one thing—which took them a bazillion years to build—just went … boom? Right? Then these people gasped, hit the floor with their knees, ate a lot of ice cream, and then got up and said, “Let’s give her another go, Stanley!” Does that make sense? Cuz that’s what I’m telling you to do too.

Imagine this scenario—just with different subjects—on repeat somewhere about four or five times. Yeah, that was my talk.

I really thought I’d blown it. It was the wrong talk, to the wrong audience, with the right stuff, but the wrong time.

I made a tiny bow of my head and mumbled the end to a smattering of applause from the befuddled librarian and a few parents.

As I was packing up my things to slink out to my car, thinking I could wallow quietly in a pool of my lead balloon bomb, a mother and her small daughter came up to me. “We’d like to buy your book.”

I pulled back. “Really?”

“Yup,” the girl replied. “I’m going to read it … once I learn to read.”

I looked at the mother. “The main character is twice her age.”

“Not for long,” the little girl said.

I thought about my talk’s message of dealing with downfalls. You get in over your head, you make a mistake, you face failure in the eye. It happens. So get up, get going, start again. You go from can’t to can, couldn’t but want to, didn’t but will.

Life is not a stage, life is a series of stages.

This little girl got it. Shined a spotlight on it too. I started applauding, but that came across as a little weird.

So I just did the splits.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

 

 

NASA: Definitely not a Waste of Space

“So how ‘bout that whole folding of the fabric of time thing?” I asked when it was finally my turn in the long line of people forming a queue.

“I beg your pardon?” an elderly NASA engineer asked, his two furry white eyebrows fully sewing together in the middle of his face.

“Time travel,” I clarified. “You don’t have to keep the research bits a secret from me. I’ve got a badge and everything. I’m allowed to be here.”

“MOTHER!”

I felt a sharp yank at my elbow and was spun out of the line and pushed toward the conference hall’s exit doors.

I heard the engineer ask the assistant at his side to find new batteries for his hearing aid as he thought they were going a bit dodgy.

I detached the sharp claw around my arm and glanced over at my daughter’s face. It was a little more red than I thought healthy—like the color a kid’s face turns when they’ve been holding their breath after you tell them they’re absolutely going to eat every last bit of liver on their dinner plate thank you very much.

And then they explode.

Or faint.

Chloe could have gone either way.

“I thought I told you I was going to vet each one of your questions to panelists,” she said, crisply.

“Yes. You did say that. But you were busy talking to someone who was showing you how to cure cancer in space—or something like that—and I thought that info was too valuable to interrupt.”

She gave me her best oh my god I can’t believe we’re from the same genetic material face and walked down the corridor toward a display of spacecraft materials—textiles that could absorb great gobs of angry heat.

I’d need to make it up to her. I was here—at NASA’s 100th centennial celebration and symposium—as her plus one. I’d been given access to all the talks, lectures, panel discussions, power point slideshows, and live beam-ins from the ISS.

I was meeting and listening to some of the greatest scientists, engineers, and administrators of the great big NASA family—a family Chloe has been dating for the last four years—and I’d better not be the black-socked and sandled potted uncle who blows it for her by showing up at the posh annual family BBQ asking where I can set up the bouncy castle I’d just rented for the event.

She wants a large, shiny ring from these people. I should really help her get it.

So I sat quietly for the next many hours. A full two days of many hours. I listened to people explain what had been taking place the last one hundred years in labs and clean rooms—that part I called history—and what would  be taking place in the next one hundred years but mostly on spaceships and extraterrestrial terra firma—that part I called magic.

Human exploration, space technology, mission objectives, and interplanetary sleuthwork—a bazillion talks showing what happened to the lecturer when someone made the mistake of saying to them, “Betcha can’t make this happen.”

Think again.

It’s the hair-raising results when smart people get bored and have access to wind tunnels.

Now, I’m not going to say that every single speaker had me at the edge of my seat, wide-eyed, and breathless. There were plenty of rumple-suited, mumbling lectors who lost their places or couldn’t figure out how to work a laser pointer. Moments where I would turn to Chloe and accusatorily whisper, “That’s not a real word,” or request that she explain to me in one sentence or less how nuclear fusion for space travel would work.

But the videos were definitely thrilling bits of rousing drama. In fact, I’m pretty sure that NASA uses one guy from Hollywood to do all the musical score work because all of it was EPIC. Like academy award winning musical compositions. I felt heart-melting stirrings in my soul when seeing a scientist simply unfold some foil. It could have been what he was having for lunch, but I didn’t care. I just want to see if eventually Ridley Scott will ask Matt Damon to play that guy on the big screen.

At the end of the symposium was the massive NASA gala. Tuxedos, sequins, fish and chicken, politicians, musicians, astronauts and journalists. The early computers, the young engineers. The daring old stories and the futuristic visions.

It was a room filled with people who had done great things, and with people who dreamed of doing great things.

It was a room that held the remarkable past and the unfathomable futures. It was filled with an electric energy, the promise of possibility, a gritty determination.

And waiters.

Yeah, it was filled with a lot of waiters too.

I thought that by the end of the night I had done my utmost to behave. To absorb the sagacious words of pioneers at the frontiers of space. I’d kept my hand at my side and simply remained fixed on their words, their proposals, their data, and their accomplishments.

I did not chase people into the bathrooms to ask burning questions about Mars, or the moon, or asteroids, or multi universes.

Except for that one guy, but he hardly counts. Because Chloe doesn’t even know about him, so mums the word on that bit, capisce?

I thought after all my good behavior we could finally go home and find some real sleep, as we’d been crashing in a hotel room whose air conditioner sounded like a gargantuan Kitchen Aid blender stuck on liquefy—or annihilate—samey samey.

But then the gala’s emcee made one last announcement before dismissing us for the night. “We’ve got a surprise for you! There’s a dance party downstairs—a DJ, a sparkly ball, big speakers, and a lot more alcohol. Go have fun NASA!”

I saw Chloe turn to me with a face that displayed the happiness a farm hound shows when he’s spotted a field full of cowpie patties.

“NO,” I said firmly.

“You owe me,” she said.

So we went.

And now I am absolutely positive time travel exists, because I would put a big ole bet that most of these scientists and engineers wouldn’t want any of their dancing film footage to get out into the public—and if there was a threat of doing so, they’d travel back to this event and erase it.

It was like watching colts try to stand immediately following birth.

Okay, to be fair, a couple people knew some archaic dance moves, but seriously, no one should be doing the Robot anymore, or the Running Man, and especially not the Sprinkler.

Except I’m going to make one allowance: there was one move they were all exceedingly good at.

The Moonwalk.

The National Aeronautics and Space Administration should be damn proud of a century’s worth of work. Seeing their past accomplishments was a trip back in time I was honored and astonished to experience.

 

But hearing about their future? Nope. I don’t want to skip over one single second of it.

Congratulations, NASA.

~Shelley

 

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.