See No Evil, Hear No Evil, Kill No Weevil

Last week, one of my cats did something weird.

That statement, in and of itself, is a little unusual, as this particular cat is always doing something weird—talks to lamp shades, tests the running water temperature from a faucet before agreeing to drink from it, and as she’s left-handed, she insists on ergonomic southpawed Fiskars, so for me to notice … well, I think you get my point.

This new particularly weird thing was her staring at a small crack in the wall. A puncture wound of sorts, straight through the plaster. And then the next day, she put both her paws on either side of that wound, standing meercat style, and began a new phase of the “what’s behind the wall” festival.

I sat there with her for a while one day. Heard nothing, smelled nothing, and I certainly didn’t get any of the creepy, hair-raising, goosebump inducing feelings she’s produced in me before when discovering that she’s likely communicating with someone who died in that general vicinity (I spent a fair amount of time this last year in an old cottage that once served as a hospital for a Civil War arsenal compound, and this cat—along with all the house cats—spent countless hours with wide-eyed expressions, howling at a stairwell.).  

This time was still just a mystery waiting to be solved.

But as of last night, my dog joined her in the wall staring competition. Now two furfaces were trying to convince me that I should take a sledgehammer to that plaster work just to see what has taken up residence there.

Again, I sat with them both as they studied the inner cladding of my laundry room, its blinding whitewash lacquer revealing nothing and instead simply generating the occasional cock of one of their heads. Alas, we must remember, the absence of evidence is not evidence of absence.

I would have agreed without argument that both could hear something my ears were not privy to—the pattering of mouse feet, the fluttering of insect wings, the terrifying audio NASA has just released from a black hole at the center of the Perseus galaxy cluster—if it weren’t for the fact that one of them was stone deaf.

But maybe there is scent as well as sound, as the deaf hound can certainly still identify from three rooms away the fact that I ate a piece of bacon twelve hours ago.

I’ve called the pest company I have a quarterly contract with, and they gave me the choice of a visit from someone on their varmint team or a technician within their paranormal investigations department, but either way, they’ll be dressed in a hazmat suit and would be spraying some sort of exorcistical holy water. I’m still deciding.

At one point, during one of the bewhiskered gatherings, I joined in. I sat on the floor, stared at the plaster puncture, and focused. Things grew a little blurry and I began to feel like I was searching and waiting for a Magic Eye image to appear—some 3D illusion requiring patience and perhaps a lost instruction booklet to successfully view.

Image credit: Sally Flicker

Then I closed my eyes and simply focused on sound. The hound is barrel-chested; therefore, his breath is so audible, one can nearly hear all the pleural friction taking place in his ancient lungs. The cat has a habit of licking her lips and swallowing frequently, which to me indicates that whatever’s behind the barrier is either worthy of salivating over or she is fostering a nervous tick revealing how she’s trying not to freak out. It might also point toward dental disease, but that’s a next month’s problem.

While the three of us concentrated on something only two of us were truly aware of, a second cat slinked in. She looked about the room, quietly assessed the vibe, and then crawled into my lap, wedging one bony shoulder into the crook of my knee and keeping one eye open whilst the other took a break. The next few minutes of silence was equal parts unsettling and soothing.

The next afternoon I came upon the weird cat, again, simply paying homage to the drywall. I sat down, assumed the position, and waited for the wooden floor patter of the remaining eight softly padded paws to make their way to our small, shared space—which they shortly did.

And whether everyone was intrigued by the invisible entity, waiting with curious anticipation as to its reveal, or some were simply there to catch half a face full of shuteye, what was clear was that this chunk of fading linoleum was becoming a slightly sacred space.

And apparently, we were settling in for a spell.

And perhaps a spell is what we were under, as the next thirty minutes escaped unnoticed. Maybe this was the point—maybe that peaceful half hour was meant to be experienced in a state of heightened oblivion. Not asleep, not awake, just present, like the thing we could not see.

A ringing telephone brought us out of our stupor with the answering machine announcing, “Hey, this is Marvin from the Ratty Shack. I hear you’ve got a problem. Give me a call and we’ll get rid of it.”

I then stared down at the blinking, watery, and in some cases, cataract clouded eyes of my fur family and said, “I vote we wait on Marvin. Same time same place tomorrow?” We left in tacit agreement.

Life goes on. Pestful but peaceful.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

Problems with One’s Nose: It Just Doesn’t Make Scents

I think we can all agree—that whether you’ve experienced it firsthand or not—having Covid is no fun.

I can’t think of any illness that would actually fit into the “fun” category, so perhaps the above statement is a bit of a no-brainer declaration.

Still … there is an aspect of this affliction that is forcing me to do something I do find to be pleasurable—research­­—as I (along with millions of other humans) are desperate to determine when, if ever, our sense of smell will return to our bodies.

The symptoms of SARS-CoV–2 are dizzying, to be sure—one of them including experiencing dizziness. That evidentiary concurrence aside, other symptoms include the typical sniffling, sneezing, coughing, aching, stuffy head, fever, so you can’t rest for lack of medicine annoyances. Some of these ailments arising to the level of not just vexing irritations but life-threatening pathologies.

The non-life-threatening, but definitely life-depressing disorder of anosmia—or smell blindness—is a fairly reliable indicator for the Average Joe lacking an at home Covid test to determine if they have been infected with this miserable and unrelenting virus. As an individual whose job relies upon her sense of smell, I long ago created a list of all maladies of the disease that I knew might reliably express themselves and highlighted in yellow and then orange and then pink the one that I absolutely, under no circumstances could tolerate. And then promptly began agonizing over its possible appearance until, I’m guessing, my brain finally took to heart all those self-help, yogi meditations I spent years fostering and “manifested” my thoughts into intentions.

Here you go. You think it, you become it.

The loss of smell for most people is dispiriting—especially if you’re a human who likes to eat.

The loss of smell for a person who is surrounded by hundreds of small alcoholic vials filled with aromatic compounds that are no longer aromatic is panic-inducing, terrorizing, and humbling in a collapse into a puddling heap on the floor type of way.

What now? Is the question of the day, although it really wasn’t a daily query as much as it became an hourly one.

So much of my life’s work is dedicated to identifying odorants—the good the bad and the ugly. They’re all incredibly fascinating to me and important to the labors I’ve been employed to pursue. I have never taken my ability to smell for granted—in fact, I’ve protected its presence and fostered my olfactory skills like a zealot chasing after the title of “Olympic medalist” in that category.

I walk into a room and the first things I notice are the odorants—the primary, the secondary, the tertiary. Has someone burnt toast? Has a dog passed gas? Is that woman wearing the same scarf from yesterday when she slipped outside into the alley to have a quick cigarette?

I walk into a patch of someone else’s presence and can oftentimes flesh out a rhinal history. The cologne they wear, the detergent they use, the curry they ate. It’s a Sherlockian mystery that unfolds itself one odorant at a time.

And now it’s gone. Poof.

Coincidentally, two weeks ago, I noticed a side-effect to a new medication I’m on which revealed that I may experience hyperosmia—an increased sensitivity to odorants. Hot diggity, I thought. A dream come true, right? Until I’d been stuck in a car with a person who, whenever speaking, gave off the exhalating perfume of someone who had perhaps dined on the soup made from the sewer on a hot August day. It wasn’t their fault. Their stomach was appropriately breaking down breakfast with the human chemicals assigned to that job—it’s just that it felt like I was in that organ with them.

Being on the opposite ends of the scent spectrum in such a short period of time provides—along with a bit of whiplash—an opportunity to experience the edges, to assess this bodily sense with the effect of a volume dial. Too much and you whirl with nausea, too little and life becomes monochrome—a dull gray, monotony that snatches away all color, absconds with your anticipation, and tosses you into a steeply descending pit of “why bother?” (Or, at least, for me it did.)

I have a phrase—a formula—I use to describe a concept when teaching on developing the skills of nosing and tasting: scent + taste = flavor.

Scent involves our olfactory epithelium—a small patch of tissue high in the nasal cavity that houses around 400 of our body’s olfactory receptors. When aroma molecules attach themselves to the receptors—either singularly or in combination with others—we can identify somewhere between 100 million to 1 trillion different odorants.

Taste is defining sweet, sour, bitter, salty, and umami compounds.

Putting the two together is how we experience flavor. Strip one away and the pow and wow factor of food is crippled. Hamstring both and you’re left with … what??

If I allow my freaked out, blubbering inner doomsayer to answer that question, it would be search for a cliff tall enough to leap from. If I am to respond more appropriately, more hopefully, more like an individual who gravitates toward solid science than pointless hysteria, I would say, a not unsubstantial amount.

I am forced to hunt for the other. To seek out what else contributes to the sensory experience of flavor, as there are a few more things than one might expect to include.

  1. Viscosity – a measure of thickness, glossiness, syrupiness, adhesion.
  2. Chemesthesis – this occurs when the receptors on the skin react with a chemical placed upon them—where your mouth and nose are concerned, we have the examples of:
    • Menthol (a cooling sensation—your toothpaste, gum, or minty herbs)
    • Capsaicin (a thermal impression—your hot sauce, spicy peppers, or chili powders)
    • Carbonation (a tingling of the receptors—think soda, sparkling water, fizzy champagne)
    • Alcohol (a prickling phenomenon—might as well go for the gold and make it high proof)
  3. Sounds – the oral and sonic experience that comes from the crunch of your sugar snap peas, the squeak of your cheese curds, the crackle of your potato chips, the smacking stickiness of your peanut butter, the effervescence of those Pop Rocks.
  4. Temperature – No need to explain, you know the scale.
  5. Mindfulness—It has been studied and believed that “expectation” contributes to flavor as well, as scent and taste stimulate the limbic system and ultimately stir up memories.

I cling to the fact that the nuances of what contributes to flavor is fairly rich with examples. And paying particular attention to the extra sensory “we’ve always been here, but you’ve just ignored us” elements highlights their contribution to an experience rich with stimuli.

Is it the same?

Nope. Not even close. For me, anyway.

Will it suffice?

It will have to. At least until biology rights itself, a stem cell transplant program is offered up by my GP, or Mark Zuckerberg finds a way to “meta” my olfactory receptors back into reality. But for now, I will sniff, sip, slurp, and swirl everything I find—to invite back into my brain, to welcome back into my realm, to appreciate with renewed vigor the one thing my mental health hinges upon.

Until all returns, I will remain annoyingly and worrisomely … scent-o-mental.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

The Din of December

There is something magical about the word December.

And I think it’s more than the tingles I get from simply saying the word—a word that envelops me with a warmth containing decades of memories, all twinkling and glittered. I think it’s the hearing of all things December related.

December has a sound all its own.

For me, and where I live on this patch of earth, it is the sound of swirling snowflakes, cotton soft and cushioning. It’s a muffling of the natural world, a bright white quilt under a blue-white moon.

It’s the sound of wind chimes chinkling, nudged by invisible fingers of a frost-laden wind.

It’s the whistle of winter’s breath as it races down the chimney shafts and rushes through the empty halls, a purring, fluid melody, so measured and hypnotic. Suddenly, it inhales and pulls all open doorways shut with slaps of sound that startle, breaking soothing silence.

I hear the somber trees, brooding and contemplative. Rhythmic and slow, their drinking of the earth and drawing in the air allow them time for mindful reflection, and their meticulous planning of a spring that slowly creeps closer day by day.

And I listen for the pop of seasoned wood, ensconced in flames and smoke. The tiny hiss from flickering tongues is the language of heat, a faint articulation of a promise against the bleak and bitter chill.

I warm at the thrum of mellifluous song, the trilling of carols, the honeyed blend of bright, buoyant voices. Whether it be the refrains of jubilant noise thrust toward the heavens of a brilliant starry night, or one single, hallowed melody, hummed quietly and kept in check, music seeps out into the air, whimsical, innocent and heady.

This month is filled with the sounds of gratitude: the contented sighs slipping from souls who witness December’s darkness replaced with tiny, twinkling lights, the bright-eyed, gleeful shrieks from innocent mouths who point at storied characters come to implausible and colorful life, and the cheerful hail of reception that fills front halls, front porches, and the faces of those behind front desks.

It is abundant with the thanks for a warm cup of tea, a filling cup of soup, a coat, some shoes, a toy, a bed.

It is filled with a million wishes on the same bright stars, overflowing with countless dreams whispered deep beneath the covers, scratched in a letter to Santa, chanted in prayer over candlelight.

I hear the sound of sharp blades on ice, waxed sleds on snow, snowballs on parkas.

There is the noise of muffled feet on carpeted risers, the hum of a pitch pipe, a sharp intake of breath, and the strains of melody and harmony and dissonance braided throughout the next many minutes that make the hair across your arms quiver above goose flesh even though you are in an overheated room, squished into an undersized chair.

Throughout the month there is the crunch of dry leaves, the cracking of gunshots and the grunt of effort when dragging home that which will fill the freezer. I hear the soothsaying of snow, the delightful patter of euphoric feet, and the collective groan from a city full of scraping shovels.

The sounds of December are those of rustling coats and the stomping of boots, the rubbing of hands against the numbing, wintery sting. They are the hushed prayers of voices in holy vigil, the retelling of sacred stories to fresh ears and hungry souls.

The sounds I hear are those of glasses, clinking all in toasts. They are the wishes of warmth and the hope of fellowship, the thirst for triumph and the promise of change.

But most of all, I hear the plaintive yearning of my heart, voicing the wish that December won’t end, that January won’t come, and that time will stand still.

December is a month of sounds that sounds so good to me.

~Shelley

Lastly, I leave you with a small gift from me to you. I sing Norah Jones’ song ‘December.’ A tune I feel is my holiday hug to the world.

(And a huge hug of thanks to my wonderfully gifted son for mixing and production.)

Winter On … and On and On and On

I grew up in a house where the winters were long, the springs were greatly anticipated, and the summers were scheduled for one week somewhere around the middle of August. Fall was lovely, but it really was just “introductory winter,” if I’m speaking frankly.

Heat was a commodity no one took for granted. You needed it for a good solid nine months of the year, and it had to be reliable. The thermometer was a device you trusted not just to tell you how to dress for the day, rather we used it to determine whether you should even step outside the front door.

One January morning, when I was seven or eight years old, my family piled into the car to head to church services. It wasn’t an unusual day per se, as despite it being incredibly cold with a nose-numbing ice fog sparkling all around us, one was never encouraged to indulge with the obvious complaint existing within everyone’s head as to just how unhappy one was. My dad had drummed one phrase into us: Your being cold is not a personal experience, therefore, suck it up.

This particular morning, we arrived in the church parking lot and pulled a standard move—something that was considered fairly normal for this time of year—we kept the car running.

It was only once we’d finished the service and loaded back into that car that we heard the radio announcer report that as of today, our little town was the coldest one in America, registering a balmy sixty degrees below zero.

Apart from the obvious danger to skin, other more unusual things begin to happen at temperatures that frosty.

Cars’ tires will freeze to the road surface in a somewhat flattened shape, and now it will be like driving with square wheels.

Heating oil turns into jelly.

Storm windows shatter, and nails pop right out of house siding, whizzing like bullets.

And of course, there are a few extra children’s tongues tethered to flagpoles. *shrug*

For most of us, that was just another day growing up in Wisconsin. And those long, cold winters meant time to chop and haul wood. If you heated your house with a wood stove, like we did, it meant you’d be chopping and hauling at least four cords of timber. You take on a special appreciation for trees at the beginning of the season when you cast your eyes across the tremendous sacrifice they contribute toward one family’s wellbeing, or maybe more accurately, survival.

And although I no longer endure those formidable winters having moved to Virginia, I do currently live in a log cabin and rely upon a large fireplace for mostly the physical sound and visual tease of heat. My wood needs have shrunken considerably, but each year I dutifully have a cord of hard oak delivered, and I stack my treasured logs in a way so they will be seasoned, and I will have access.

Except this year I noticed I still had several layers of split logs filling the bottom third of my main wood rack. It was agreed by me and the well-seasoned logs that moving them to any other location would simply be an exothermic exercise and a waste of precious heat, therefore, the newly dumped truck full of split wood would have to find a home somewhere else.

I eyed available space and assessed my resources. Oftentimes, once you run out of room in your ideal location, you simply look for cooperating trees—solid trunks that will stand as sentries on either side of your neatly stacked row. But mine stood on hills and a good way from the house, and most folks tend to disappear when the general question of “who wants to fetch more wood” is asked, and they see it will require hiring a Sherpa for assistance.

Reaching back into my brain for any latent engineering skills that may have been deposited there via a freak of genetics, I remembered occasionally seeing an oddly-shaped wood pile during my youth in Wisconsin—a state liberally sprinkled with Scandinavians looking for weather just as cold, but a language less annoyingly mimicked.

With renewed vigor, I went about planning my new wood stacking design—the Norwegian Roundhouse. I know this sounds like some sort of kickboxing move, but in truth, if it’s made well, it looks a bit more like a giant wooden gumdrop. And no one has ever had to defend themselves against pectin.

I took apart an old whiskey barrel and used the metal rings as a base, then I placed a layer of thick metal lattice on top to create the “circulation” layer. If there is one thing I have gleaned from my youth, it is that being just cold is much more survivable than being both cold and wet. And everyone who has ever gone camping in the rain knows just how soul-satisfying cryogenically preserved baked beans eaten out of a tin can be.

Wood must not get wet and stay that way.

The whole point of the Norwegian Roundhouse is to build a wood stack that wind can whistle through, mice can scramble through, and no eight-year-old boy can kick down. Breezy, yet sturdy, like the Titanic if it simply encountered an eight-year-old boy.

Layering the wood is a process of intense focus with choice, placing every log facing inward in a large circle the size of a four-person hot tub—or an amateur Florida sinkhole. Each piece of wood is a puzzle that must fit perfectly into its slot. The sides, as you build, must never bulge, never move outward and overlap the piece beneath it. Instead, each one must lay the tiniest bit farther into the center, eventually creating the appearance of a beehive, or a gumdrop, or a pyramid built by a guy following directions provided by IKEA.

As I did not know these last bits of direction before getting about chest high, I spent the next several hours hammering pieces into place. After two full days of choosing the perfect logs, hammering them into their ideal spaces, wedging in supporting structures, and bandaging the hammered and wedged fingers that got in the way, I was finally finished.

It looked awesome. It looked perfect. It looked like a mix of true engineering and art. It looked like I was going to need to call the lumberjack back for another load of wood because ABSOLUTELY NO ONE WAS GOING TO BE ALLOWED TO TAKE WOOD FROM MY “ART IN PLACE” PROJECT.

And so it begins again. The constant pursuit of warmth … and perhaps a small dose of sanity.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

Kindness Costs Nothing, but Tomatoes are a King’s Ransom

I am a procrastinator.

Although my explanations for delaying any decision or activity are crammed with reasonable details, I am also fraught with unreasonable guilt for the pile up of decisions left unmade and activities left undone.

One day I’ll get to that bucket list which is now a barrel list.

One day I’ll see to that niggling pain I’m hoping will disappear (obviously, it’ll definitely disappear by the time of my funeral, so I’m kinda covered on this one).

One day I will discover how many licks it takes to get to the center of a Tootsie Pop.

For the last couple of years, on my one hour and fifteen-minute route into work, winding through farm fields, cow pastures, and five-house towns, I have passed a little wooden shack—a farm stand selling vegetables. I remember thinking, One day. One day I’ll stop and check it out.

Finally, the excuses of I need to get home, or I need to get to work were put aside because one of those John Deere combines that claimed 620 horsepower but only 6 mph speed stopped traffic on my tight and twisty farm road. Coincidentally, in front of that farm stand. I now had absolutely no excuse not to investigate that which has been a colorful blur out my window. Countless bountiful months—those spring through fall harvest seasons—simply whizzed by for years where my only excuse was “not enough time.”

Farmers have a way of putting the advice of “stop and smell the roses” (or the newly mown hay, or the freshly dropped cowpie patties) into crisp and unignorable perspective. It is not so much advice as it is a forced bit of guidance.

I pulled off onto the semi-circular dirt road that advertised the large hut with a few wooden shelves full of tomatoes, green beans, shallots, and corn, okra and peppers, potatoes, and beets. Each bin held a price, and I stared dumbly at them for a full two minutes. I glanced up to see a dry erase whiteboard with an entire menu and coordinating costs that matched the bins’ prices.

Ten cents for any tomato larger than your fist. Five cents if it’s one you can shove wholly in your gob.

No way, I thought. That’s got to be wrong. Or maybe they all tasted like they should sell at a K-Mart Blue Light Special event.

I found a five-center to test, overestimated the size of my mouth as I crammed it in, and then experienced the delayed response of one who realizes just how determined tomato innards are to gush past the house of their skin and any other boundary one feebly tries to embrace them within. Juice, seeds, and an exclamation of surprise came flying out my mouth.

But this is a farm stand in the middle of nowhere. Who’s watching, right? Who saw me splatter the wall and the front of my shirt, and the whole whiteboard menu?

Umm … maybe the fifteen cars idling on the road waiting for the great green beast to give them passage around him. Apparently, my faux pas was entertaining enough to produce a couple of honks and one “Nice work!” from the audience.

I trudged back to my car and found an oil rag, hoping I could erase some of the whiteboard’s woes I’d crafted. Word by word, and price by price, I replaced the tomato splattered menu with fresh listings, thanks to the dry erase marker on a ledge beneath it. I was mid-way through my work when I stopped to marvel at the taste of something so magnificent and a price so unmatched. I can’t believe I’d been missing out for years on this vegetal treasure chest.

Returning to my work, I’d turned to hear the squeaky hinges on a truck door slam. An elderly man in grass-stained overalls tottered toward me on legs so bowed they looked like parentheses rather than appendages.

“You changing the prices, young lady?”

“No, sir,” I answered as he stared at the marker and rag in my had.

He snorted and pointed to the vegetables, “You city folk come by here lookin’ for a bargain and still aren’t happy with what you find. I’ve told Beatrice that her prices are too low anyway, but she’s just a good-hearted woman easily taken advantage of.”

“I’m not city folk, and I promise I’m not changing the prices. I’m just redoing the whiteboard because I accidentally splattered tomato all over it. I was trying to do the right thing.”

He pointed toward the empty see-thru plastic bin with the sign above it displaying the words Money Box – Honor System. “The right thing round here is to pay before you consume, and most people—city or farm folks would know that.”

I felt like I was back in school, chastised by the principal for some second-grade misdeed. And I also felt a little bit miffed that I’d been unfairly accused of said misdeed, but I knew what it must look like to this guy, so I unzipped my purse and searched for my nickel.

Of course, I had no change. Of course, I had no dollar bills—no fives or tens.

I pulled out a twenty. “Do you by chance have change?”

The farmer slapped a hand to his thigh and cackled. “Do I look like an ATM machine to you?” He shook his head and moved back toward his truck, mumbling, “You city folk.”

Except I wasn’t whatever negative version of city folk he had in mind. And I was about to shout that out when I saw the old guy returning. He held up a silver coin, dropped it into the plastic box, and then said, “This one’s on me.”

I nodded with my humble thanks. “Please tell Beatrice her tomatoes are amazing.”

He shrugged and snorted. “I have no idea whose farm stand this is actually. I was a couple cars behind you in the line and was getting grouchy with the wait. I saw what happened and just had some fun while stretchin’ my legs. You drive safe now.” He got in his truck and pulled back onto the road, the traffic now cleared.

With a face likely as red as the tomato I’d mostly eaten, I finished off repairing “Beatrice’s” whiteboard.

When I was done, I pulled out my $20 bill and dropped it into the “Honor Box.” The way I looked at it, I was half paying a fine for all the wasted time of never stopping by and purchasing the best tomatoes ever, and I was half paying for that exceptional fruit.

Some life lessons are a little pricier than others, and somehow, I felt like it made sense to purchase a twenty dollar five-cent tomato.

Next time I’d bring a pocketful of change.

And a change of clothes.

~Shelley

For the time being, the blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.