I’m smack dab in the middle of reading Mark Twain’s autobiography this month.
Okay, that’s not exactly true.
It feels like I should be smack dab in the middle, but in truth, I’m only stuck inside the introduction. Which, unbelievably, is nearly as long as the book part itself.
I’d say about one quarter acre’s worth of trees was sacrificed for the beginning of this book. And I’m gathering that the beginning of this book was deemed worthy of that slaughter.
Except I’m craving Twain’s words. Not some editor’s. Not some scholar’s. Not some newfound margin scribble from the guy who sat and took dictation. His words.
Mark’s. Or Sam’s. Or maybe he went by Phil on Tuesday’s and every other Sunday. It doesn’t matter. I want to hear what’s inside that man’s brain.
I want to hear his voice.
As an author, and I’ve checked with a couple of others on this bit so you can trust me, we collectively agree that the most important thing we can do for our careers is to develop a unique voice.
A voice that not only spins a good yarn, but does so with a color most folks don’t typically see in their everyday multi-hued spectrum.
Brown? Too drab. Purple? Too flamboyant.
… Brurple.
That’s me.
If you’ve got something to say one must next find a way to tickle the auditory hair cells within the cochlea of the people you’re directing your words toward—or if like me and your musings are absorbed in the form of at least one effortful eyeball scanning words across a page, you need to create text that just leaps off that paper and literally spanks the reader across the forehead.
In a really loving spanking kind of a way.
But getting to the meat of your message is important. Dressing it up? Not so much.
In fact, I cannot count the number of times an agent or editor or beta reader of mine has said, “Yuck. Your writing is just dripping with purple prose.”
For those of you unfamiliar with the term, it’s like taking a beautiful roast ham, packing it in a great wad of brown sugar, plastering canned pineapple all over it, wrapping it three times with maple bacon, and then pouring a large liter of Coco Cola over the top of it. Ala Paula Dean.
One ends up with something sticky, sweet, syrupy, and inedible. One also ends up searching for a large bucket of bleach and a wire brush with which to scrub one’s teeth. You’ve ruined what could have been something quite toothsome and savory.
Hiding behind unnecessary words results in confusion. I’ve been lectured repeatedly that it’s best, when trying to cultivate your true and authentic voice, to use your own. Don’t be snatching catchy phrases or snippets of impressive sounding opinions from clever pundits, worldly academics, or The Onion.
Okay, well, yes, I’ll take back that last one. The world could use a little bit more of The Onion.
The problem with this—the using others’ words in place of your own—(that I’ve most certainly discovered first hand) is that when people raise their eyebrows with interest at what you’ve just professed, they oftentimes will ask you to expound, to further enlighten the dark areas of their minds. And when you can’t …
Yeah, you better hope there’s an eagle or a squirrel close by. Maybe an errant This is not a test text that comes across everyone’s screen to save your tuchas.
I’ve become so profoundly aware of this situation because recently I’ve been purposefully surrounding myself with speeches.
Next month I’ve got a couple to give. It’s good to look at the historical soup of a million others. But I’ll quickly point out two that emerged and left me with a measurable thumbprint of thought.
I’ve just finished a book that held a selection of Kurt Vonnegut’s commencement speeches. They’re short, they’re punchy, they’re meant to occasionally have faculty members behind him draw in a sharp breath as he tells the students in front of him what the school has been glossing over for the last four years in their protective bubble.
No doubt within three sentences, you know this is pure Vonnegut.
Last month, I watched The State of the Union address. I’ve seen plenty of others. I know how these work. But these weren’t the words of the individual who was elected to office. Far from it. And I think for the people who voted him into that position, and for those waiting for the much touted promise The presidency wholly and completely changes a person, it was a lost opportunity.
It was purple prose.
Sticky, sweet, and yet altogether flavorless. No meat. No message. No memorability.
No thanks.
There is so much we people hide behind these days. Other people’s words, other people’s thoughts, other people’s ideas. It’s really not impossible to create our own.
It’s intimidating, yes, because we may be rejected or rebuffed.
It’s effortful, yes, because it requires one to formulate concrete thought and opinion, and wrestle with why you want to say these words in the first place.
And it’s humbling because there are bucketloads of moments when afterward we discover just how wrong we are.
But it doesn’t mean we shouldn’t try. Try to be authentic. Strive to be astute. Reach for earnest bona fide status.
I want people to truly seek out my words, and to have engaging enough words that they will fight through the forest of extra pages of editorial intros in order to get to them.
And like any good firewood chopping Wisconsinite, I know where the good stuff in a tree really is. And I want my books and words and sentiments to reflect that.
Otherwise, it’s all bark and no heart.
~Shelley
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Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.
Shelley Sackier 