The Din of December

There is something magical about the word December.

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And I think it’s more than the tingles I get from simply saying the word—a word that envelops me with a warmth containing decades of memories, all twinkling and glittered. I think it’s the hearing of all things December related.

December has a sound all its own.

For me, and where I live on this world, it’s the sound of swirling snowflakes, cotton soft and cushioning. It’s a muffling of the natural world, a bright white quilt under a blue-white moon.

It’s the sound of wind chimes chinkling, nudged by invisible fingers of a frost-laden wind.

It’s the whistle of winter’s breath as it races down the chimney shafts and rushes through the empty halls, a purring, fluid melody, so measured and hypnotic. Suddenly, it inhales and pulls all open doorways shut with slaps of sound that startle, breaking soothing silence.

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I hear the somber trees, brooding and contemplative. Rhythmic and slow, their drinking of the earth and drawing in the air allow them time for mindful reflection, and their meticulous planning of a spring that slowly creeps closer day by day.

And when that cycle is no more, I listen for the pop of seasoned wood, ensconced in flames and smoke. The tiny hiss from flickering tongues is the language of heat, a faint articulation of a promise against the bleak and bitter chill.

I warm at the thrum of mellifluous song, the trilling of carols, the honeyed blend of bright, buoyant voices. Whether it be the refrains of jubilant noise thrust toward the heavens of a brilliant starry night, or one single, hallowed melody, hummed quietly and kept in check, music seeps out into the air, whimsical, innocent and heady.

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This month is filled with the sounds of gratitude: the contented sighs slipping from souls who witness December’s darkness replaced with tiny, twinkling lights, the bright-eyed, gleeful shrieks from innocent mouths who point at storied characters come to implausible and colorful life, and the cheerful hail of reception that fills front halls, front porches and the faces of those behind front desks.

It is abundant with the thanks for a warm cup of tea, a filling cup of soup, a coat, some shoes, a toy, a bed.

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It is filled with a million wishes on the same bright stars, overflowing with countless dreams whispered deep beneath the covers, scratched in a letter to Santa, chanted in prayer over candlelight.

I hear the sound of sharp blades on ice, waxed sleds on snow, snowballs on parkas.

There is the noise of muffled feet on carpeted risers, the hum of a pitch pipe, a sharp intake of breath, and the strains of melody and harmony and dissonance braided throughout the next many minutes that make the hair across your arms quiver above goose flesh even though you are in an overheated room, squished into an undersized chair.

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Throughout the month there is the crunch of dry leaves, the cracking of gunshots and the grunt of effort when dragging home that which will fill the freezer. I hear the soothsaying of snow, the delightful patter of euphoric feet, and the collective groan from a city full of scraping shovels.

The sounds of December are those of rustling coats and the stomping of boots, the rubbing of hands against the numbing, wintery sting. They are the hushed prayers of voices in holy vigil, the retelling of sacred stories to fresh ears and hungry souls.

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The sounds I hear are those of glasses, clinking all in toasts. They are the wishes of warmth and the hope of fellowship, the thirst for triumph and the promise of change.

But most of all, I hear the plaintive yearning of my heart, voicing the wish that December won’t end, that January won’t come and that time will stand still.

December is a month of sounds that sounds so good to me.

~Shelley

Lastly, I leave you with a small gift from me to you. I sing Norah Jones’ song ‘December.’ A tune I feel is my holiday hug to the world.

(And a huge hug of thanks to my wonderfully gifted son for mixing and production.)

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone–click here.

‘Twas the night Santa ditched us.

‘Twas the Night Before Christmas with Earl

by Shelley Sackier (and a little help from Mr. Moore)

English: Thomas Nast's most famous drawing, &q...

‘Twas the night before Christmas, and throughout our old post
Not a creature was stirring, ‘cept our dead plumber ghost.
The stockings were hung by the chimney with care,
To hide the big crack in the masonry there.

The children were splayed on the couch, all serene,
While visions of Family Guy flickered on screen.
And Sir Sackier on his phone, and I on my Mac,
Still slogged on with work that would keep bills paid back.

When out on the lawn there arose such a noise,
I sprang up to shout at some loud redneck boys.
Away to the window, full of anger I flew,
And stared down the barrel of my 22.

A classic Western depiction of Santa Claus.

The moon on the breast of the new-fallen snow
proved Earl and his snowplow were now a “no show.”
When what should I see like a cast of buffoons,
But our Earl on a sled pulled by seven old coons.

With a burly old driver, so mean for no reason,
I saw in a flash Earl’s new work for the season.    More rapid than eagles his complaints rumbled out,
While he pointed an old grizzled finger to shout.

“Now Bubba! Now, Merle! Now, Otis and Wyatt!
On, Buford! On, Farley! And Vernon be quiet!
To the top of the porch! to the top of the wall!
Now git goin’! Git goin’! Dammit y’all!”

As dry leaves that before the wild hurricane fly,
My thoughts flew about asking, “Santa Claus, why?”
So up to the front door the hound dogs they slogged,
With the sled full of moonshine and old Earl in a fog.

1914 Santa Claus in japan

And then, in a twinkling, I heard on the stoop,
The grunting and griping of the grumpy old poop.
As I drew in my head, and was turning around,
Through the front door the old codger came round.

He was dressed all in flannel and coon hunting gear,
And his clothes still held bits of skinning some deer.
A bundle of bottles he had flung on his back,
And he glanced all around for a lawman attack.

His eyes were all wrinkled, his face worn and weathered,
His hands were quite scared and his skin rough and leathered.

January 3, 1863 cover of Harper's Weekly, one ...

January 3, 1863 cover of Harper’s Weekly, one of the first depictions of Santa Claus (Photo credit: Wikipedia)

His crooked lips snarled, never smiled like a winner,
And the beard of his chin showed canned hash for his dinner.

Some spit on my polished old floor he did spew,
Reminding me Earl had a mouthful of chew.
He had a broad face that was washed clean of dirt,
But a nose that he wiped on the sleeve of his shirt.

He was chubby and plump, a curmudgeonly churl,
Who never said, “Hi”; his lips wouldn’t curl.
A grunt from his girth and a scratch on his bum
Made me ask why it was Santa gave us the thumb.

He spoke not a word, but grumbled with work,
And filled all the stockings, then turned with a jerk.
And shuffling past me, he dragged down the hall
The rest of the moonshine toward his next port of call.

A&P, COFFEE, SANTA CLAUS

He slumped in his sled, to his team gave a holler,
And away the dogs pulled, straining hard at the collar.
But I heard him exclaim, ‘ere he drove out of sight,
“I’m raising my fee for each plow, now good-night!”

~HAPPY HOLIDAYS~

~Shelley

Don’t forget to check out what’s cookin’ in the Scullery this week (here) and what we’re all talkin’ about down in the pub (here)!