Hello, Peakers.

It is I, my mother’s nefarious, cupcake-baking daughter.

I have returned.

I know you missed me.

Even better: this is one of three guest blogs I’ll be writing over the next couple of months to give you a taste of our glorious summer adventures. I’m also subbing cause she’s been kinda busy with her book that will probably put an end to all sugar.

 

Still not sure if that’s a good thing or not, but regardless, you should buy it immediately because the only college care packages she has sent me this year have been socks.

(Shout out to my grandmother for secretly mailing me my massive stuffed rhinoceros pillow named James Franco when my mother scoffed at my childishness.)

Anyway.

The first installment of this epic adventure collection involves satanic worship, children in cults and good old fashioned family time. And it all began when my mother made the fatal mistake of agreeing to play the piano accompaniment for my grandmother’s music recital.

For those of you who didn’t grow up in a classical music cult, allow me to enlighten you about the Suzuki Mafia, or, What My Grandmother Does When She’s Not Gardening.

She runs an illicit ring comprised of small children whose parents willingly give their time and money in exchange for pint-sized violins and children that can imitate chicken noises on a musical instrument.

These children are called “Twinklers,” owing to the omnipresent, haunting theme of “Twinkle Twinkle Little Star” that is repeatedly drummed into their heads. I believe it has hypnotic power, and that whenever its dulcet tones are imitated, the kindergarten sleeper agents are summoned to serve their evil overlord. In our story, their commanding officer is my grandmother, who goes only by the code name “Mrs. W.” Probably for tax evasion purposes.

These Twinklers are disseminated throughout their hometowns, and with their persistent chicken scratching, day in and day out, slowly work to break down the mental stability of those around them, converting them to the cult under the guise of “musical education.” And then, once every season, the ring coalesces in a local church to perform mass rituals and provide sacrificial offerings to Mrs. W and their parental network. Then, over brownies and fruit punch, they all discuss their progress on the front of world domination.

I know all this because I was once a Twinkler.

 

I was one of the agents so deeply ensnared that it took me forever to escape. My childhood was a blur of itchy dresses, tightly braided hair, group bows, (“look at your toes and count to three!”) and broken strings. These mass rituals or “recitals” form some of my earliest memories, and so revisiting the scene to watch my mother play piano accompaniment for the tiny, unarmed yet powerful sleeper agents was quite the nostalgic experience.

The day before, my mother and I met Mrs. W in her underground fallout shelter (basement of the Music Emporium) to assess the readiness of the troops. Five of them, pigtailed and confused-looking, stood with their imitation Stradivariuses crammed under their arms, waiting by the piano for Mrs. W’s cue. On her mark, my mother sounded the first four chords that triggered the little ones to play.

As five bows collided simultaneously with five strings with the spirit and determination of invading Huns, I felt the earth open up beneath my feet and the welcoming satanic embrace of the underground climb up my chair. The little army of violin robots played on, sawing out their homage to Bach, Beethoven and Voldemort. Watching them rehearse, I felt the ability for and disposition to independent thought slip away, leaving me with the sole desire of joining their ranks and offering dissonant screeches to the evil overlord.

The next day was showtime. Parents crowded the pews of the commandeered church, their faces worn with visible exhaustion from corralling their mind-warping musical maestros. My brother sat, skulking in the back, his face hidden by the flowers I forced him to bring, likely illegally streaming movies. My mother was attending to Mrs. W, addressing last minute crises like the fact that Tommy may have just stepped on Sara’s violin and now it doesn’t quite sound the same.

I sat in the front, readying my best snarkastic face to distract my mother while she attempted to accompany. I was prepared for a full, glorious 90 minutes of the audible equivalent of having teeth pulled. I watched as one of the tiny cult members took the stage, readied his violin and tried to reposition his knee-length tie. He tucked his violin under his neck, took a shaky breath, and with the bow hovering over the strings, hesitated for a moment. I saw his round puppy eyes glance at my mom, waiting for that magical, motherly look that is a combination of recognition, approval, and assurance.

She smiled and nodded, and, with renewed vigor and purpose, he plunged into a hearty rendition of “Row, Row, Row Your Boat, Gently Down the Rivers of Blood of our Enemies and Stage Mother Tears.” No matter if he forgot a note, or a measure, or an entire half of the song, she would follow his musical diversions and remain a safe place to fall.

The rest of the recital was a whirl of Mrs. W’s recruits acting like adorable tiny humans and stepping on each other’s expensive horse-haired bows. Yet I remembered that quiet, singular moment of connection between a nervous little one and my mother. In my hectic tornado of lab work, laundry and cooking for myself, sometimes, those little reassurances that the accompaniment will always be there remain the strongest glue holding me together.

That and Mrs. W’s magic Kool-Aid.

~Chloe (an ex-Twinkler)

*ROBIN GOTT’s NEW POST* (click)

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.