Clockwatchers

Depending upon what job I have held in the past, I have at times classified myself as an early bird, a night owl, and sometimes just the slug that gets eaten by both.

Currently, I have entered into a phase of life many folks are well acquainted with. In fact, they have a face creased by lines of anxiety to show for it.

We are clockwatchers.

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Why? I have teenagers. And they have lives, man.

It’s one thing when you’re the one they depend upon for rides into town, transportation to and from friends, and passage from one activity to the next. We perform a gratuitous service in exchange for the hopeful moment of mere eye contact.

But when they have access to fast moving, gas-guzzling, tune blaring vehicles that either they or their peer counterparts control, the parental mind bolts like dropped marbles, scattering across the floor in unseen, dangerous directions, and foretells life-altering hazards in things as typically innocent as mailboxes, squirrels and rain showers.

Teens are big on taking risks.

This is not news to any person who is in charge of their welfare, but it certainly curls the toes of many adolescents after the fact—or after the fall.

In fact, I vote all teens must wear a piece of clothing that marks them as pubescent and encourages the rest of the village to stop them at any moment simply with the phrase, “Are you sure you’ve thought this through?”

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I bet we could lower the number of smacks on our furrowed foreheads by implementing this tiny technique.

It’s difficult to manage my regular routine when I’ve got two teens out of the house and both expected back at a specific time. Specific to me, but an ever-shifting time frame for them. Something always happens. This is the only predictable part of the outing. And it usually comes in the form of a phone call and a voice on the other end that speaks in dulcet tones reserved for Mother’s Day or my birthday.

I know very few parents who can head off to bed, knowing their teen is nowhere near theirs, and effortlessly lose consciousness. For me, it’s like cracking the spine of a chilling thriller, except for the fact that I’m not actually reading any words. I may be facing in the direction of the printed words on page, but a new author has taken over the invisible plot, rife with ideas meant to twist and churn my gut.

As an evil bonus, there’s a soundtrack.

If there’s wind—I’m dead certain one of the hundreds of overhanging limbs from trees they pass on the way home will come loose, crash upon the car and kill everybody.

If there’s rain—I’m convinced the oils on the road will coat a rising sheet of water, propel them into a ditch and kill everybody.

If there are animals that live on the route my kids take home, they are likely to be the equivalent of teenagers out too late at night, will be encouraged by their rowdy, pack mentality comrades to dart across the road in front of cars for a thrill, will be greeted by the Nerf Ball car my kids drive … and kill everybody.

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If you have teenagers, you are likely well acquainted with the movie reel running in your head that usually ratchets up to Technicolor vibrancy status every time you look at your watch or glance at the clock above the stove. You are waiting for the glide of headlights across the wall by the window, the sound of the car pulling into the drive, the bark of El Protector at the front door—anything that announces the safe arrival of the person or persons you invested umpteen years of energy, money and every wish you made, including those on falling stars, birthday candles, or the heads of a dandelions.

Why is it that no one has been able to push ahead the R & D for apparating? Yes, I know it would be expensive, but hey, JK Rowling has kids who will soon be teenagers, and since she planted the idea in everyone’s heads, I say she might be someone worth considering when petitioning for research funds.

I expect I should get used to the bleary-eyed, puffy-faced person who greets me in the mirror each morning and the slack-jawed, mascara-smudged woman whose reflection waves goodnight each evening. It’s inevitable, as my day starts when the racket of bellowing animal bellies rouses me from slumber, whereas my teens fall out of bed somewhere shortly before I shout out, “DINNER!” Bedtimes are slightly closer together—mine arriving when the sounds of their bedroom laughter, bass lines and Netflix all meld into the audio track of my dreams, and theirs happens when we’ve run out of post midnight snacks in the pantry.

And although I can actually consider myself both an early bird and a night owl at this point in my life, there is no doubt in my mind what category I look most like …

The slug.

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~Shelley

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott’s humor–all from the only pen carved from a human funny bone–click here.

A little night music

Victorian-era Engraving of the Man in the Moon

Victorian-era Engraving of the Man in the Moon (Photo credit: Wikipedia)

I’ve not been sleeping well lately. The temporal length of night stretches endlessly, a slow, measured awareness of time. I close my eyes and try to center on my breath, but my active mind is unwavering and demanding.

Many nights I’ve given up the pursuit of sleep. I find the more I struggle, the more energy I expend. And energy has a way of creating energy. Therefore, it’s often best I slip into this fine-spun, cottony existence: a night shift form, a continuance of nocturnal wakefulness.

I find I am never alone. There are others who occupy these hours and regularly show up for the anchor watch.

What is it that wakes me? It could be the moon.

At the moment, it’s fully round and luminous, as large and potent as a Hollywood spotlight advertising a movie premier. It peers through the glass door to my bedroom balcony, illuminating the room as if the dinner party was finished, all the guests have left and we were preparing to search for a woman’s lost earring.

Sometimes I’ll wander outside, amazed at the clarity of night, convinced this might be an opportune time to bend down and finally weed a patch of garden I regularly ignore. But then I am distracted by the fireflies.

And what are their briefly kindled bodies if not a wink meant to tease? Like a child drawn to the sound of the tinkling ice cream truck, I too must chase these will o’ the wisps, to catch one maybe, or simply be close enough to see their alluring alchemy up close.

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Maybe it is the forlorn owl, woebegone and patient in his solicitous appeal to be answered, that rouses me from my listless state. I’ve heard his beseeching notes seep through the stone and wood and plaster meant to protect me from such invasive intrusions. But perhaps his degree of desolation is one that travels in a way yet undefined, but innately known.

The whippoorwill converses with friends. He is persistent with his practice, determined to perfect a call with nuance so subtle, only the finest and truly dedicated of musicians would recognize this desperate quest for perfection. I hear the same pursuit from the scales and arpeggios of my daughter’s violin–often at that bewitching hour–late and lonely and languid. To me, it’s up and down and up again. To her, it’s day and night, oil and water, thick and thin. The differences so palpable, so sharp, and so lonesome a club membership.

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Oftentimes, I’m brought out of my light stupor by the chorus of coyotes at a rowdy clan gathering. Their yipping, crazed cries for action depict a bloodthirsty plan, and its poorly written code is broken by my nervous sheep. They send their own secret slang that easily reveals their fearful tally of the numbered enemies. At this point, my faithful hound lifts his sleep-laden head and rouses to the call of duty. He takes one moment to listen intensely for classification of intruder and direction of the assailants and then he blasts through his door like a bullet out its chamber.

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There is a forceful announcement of the acknowledged trespassing–a warning shot thrown over the bow–and a detailed promise of injury to come, his amplified version of Don’t make me come down there.

Then again, it’s nearly impossible to sleep through the din of amphibious pining. Once the Festival of Frog has begun, nothing but a cold snap will freeze their lips shut, and this is a long way off. Yet their summer sonata is a resonant one where the cold-blooded instruments move with ease from croak to peep to trill. They are an orchestra sans conductor, impromptu with timing, but lyrically musical with their swampy cadence.

It may easily be the sound of the crickets keeping sleep at bay. They punch in for work as soon as the afternoon shift of cicadas clocks out, one choir replacing another. Except their tune melds effortlessly into mind-numbing Muzak. That is, until there is one lone fellow, desperately lost and forever separated from his family, who seeks sanctuary beneath my bed, calling for reinforcements.

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More likely it is the sound of a stirring breeze that catches my ear. This is the intro to the flutter of leaves, which whirl in a tiny, tight panic. Another nod to the wind section excites the wind chime section, which announces the herald of the low timbalic register of thunder. Distant and rumbling at first, it can quickly crescendo to clashing blows and a tremulous, foundation shaking finale. No lullaby, indeed.

When the performance is finished, I envision the remaining debris: leaves scattered like discarded paper programs and sticks tossed like spent sparklers from an Independence Day display.

But it is still night, and I am still awake.

Alleyoop (472x800)The only remaining sounds are that of the tired dog, tasting something yet uncaught in his drowsy moment of rest between patrols, and the sleuthing cat, who cannot manage a leap up onto furniture without uttering the human equivalent of an “alleyoop,” and cannot come down from any without allowing a forceful grunt of air to audibly demonstrate the effort as well.

No matter. I choose to look at this misfired attempt at sleep as a mere rehearsal: one meant to work out the squeaks and missed notes. It’ll all be fine come show time.

Practice makes perfect.

~Shelley

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott’s humor–all from the only pen carved from a human funny bone–click here.