The Good, the Bad, and the Ugly; Nature’s Turducken

Posted in authors, Humor, Mountain life, Nature, Relationships, Storytelling, Survival, writing by Shelley Sackier

Photo by Mike Bird on Pexels.com

Last year, I had a gazillion bunny rabbits gather on the lawn both at sunrise and sunset every day through the three beautiful months of spring—nibbling, lounging, fattening.

This year, I have been hard-pressed to see even one dash out in front of my car as I trundle down the mountain to run a few errands in town.

Where did they go, I wondered?

This morning, I watched a brawny and brutish red fox prance along the woodland’s edge, patrolling the perimeter, his ears and swishy full tail twitching with anticipation at any movement or sound from the grassy border.

Ah. Now I know.

There were a few brief, tense moments when the world virtually paused, my breath suspended, when with lightning quick speed, the fox sprung into the air in the direction of a fat rabbit, dashing from the safety of her brushy compound, making a run for it—out in the open.

Now, I know you’re all wondering what happened to that fat little bunny, and I could be cruel and tell you that’s not the point of this essay, but for the sake of keeping friends, I’ll relieve your suspense.

She made it.

But it won’t be for long, so let’s not grow accustomed to her furry little face.

Because bunnies are accidental survivors. Countless times, I have taken walks and come across one of them on the side of the path, and their method of life management is nothing more than freeze.

If they find they’ve fooled you into believing they’re actually a painting or statue, well … bully for them. They live another day of blissful clover grazing. If you are a predator and make your raptorial move, then their only hope is to outrun you, or “under-size” you by fitting in somewhere you cannot.

Not much to be impressed by.

A fox, on the other hand, is a planner. A plotter, a schemer, and wholly opportunistic.

Unlike a bunny, his nose is not focused solely on the floral fragrance of the tender shoots from the genus Trifolium, but also notes whether or not those herbaceous patches carry the scent of lucky rabbits’ feet.

Lucky for him, anyway.

Treading the path once or twice during the gloaming hours, he notes their playground and their warren holes, then takes a quick kip till just before the time sparrows fart and the sun’s rays creep over the dewy grass.

He positions himself in their familiar Don’t mind me, I’m just a figment of your imagination style crouch when muddle-headed bunnies womble out of bed and head to the clover cafeteria, and then waits until …

Gotcha.

Breakfast and exercise all in one fell swoop.

Nothing to do but sleep off the meal.

Photo by Pixabay on Pexels.com

And possibly be surprised by a sharp wake-up call in the middle of the night, as he is now surrounded by a ring of coyote—canines recognized for their ability to utilize deception and cheekiness to their benefit.

Obviously, our fox sees little comedy in his demise, but I can certainly appreciate the turducken style gallows humor and feel compelled to view life outside my window through these optics.

To do anything less would have me lamenting about the woodland hills, the smell of death thick in my nostrils, and an overwhelming feeling of despair and fatalism cloaked about my shoulders.

I cannot live life like this, mostly because I was raised on a diet rich with despair and fatalism, but wrapped up in a puff pastry crust of Monty Python humor.

I know some of you might be wondering where I’m going with this whole essay, and it would be crystal clear if you saw the books and articles scattered across my desk:

How to Write Better Bad Guys

Six Tips to Scandalous Scoundrels

Superheroes, Supervillains

This is a time period (in between books) I designate as “The Gathering.”

The collecting of ideas, the generating of plots, the reviewing of old writing habits that no longer serve and need to be replaced.

Like that of writing antagonists.

We are surrounded by them in our everyday lives. They are the people who we intermingle with often and repeatedly: the guy who cut you off in traffic because he saw an opening and took it, your boss, who criticizes your work in front of a roomful of your coworkers which leads to you pull an all-nighter to prove her wrong, your ex, who tells every handyman in town that you don’t pay your bills on time and sometimes not at all.

Yeah, they’re evil, heinous, and diabolically sinister people in our minds.

But … not in theirs.

In their minds, they are doing what’s right. What’s right for the flow of traffic, the result of the project, and the protection of the local business owners who don’t deserve to get burned.

In their minds, why would they choose to do anything else?

A fox is never going to pass up the bunny buffet. The coyote would be harebrained to skip out on the freshly prepared “foxbunherb.” And the only thing missing now is what follows to bring down the sharp-toothed pooch.

I vote Monty Python’s Foot of Cupid. As there is nothing more satisfying then seeing your enemy squished by an animated sketch, followed by the juvenile sound of ripping flatulence. And truly, this is the Universe’s way of saying enough is enough.

It is an effortless exercise to read about creating great villains on paper, and then see the perfect example of them right outside my window. The thing that makes them perfect is that they are all relatable. We understand them. Their motivations. And can empathize with their actions.

They are not evil for the sake of being evil.

Photo by Wendelin Jacober on Pexels.com

Some of them, in the case of a humongous, hand-drawn heel are just evil for the sake of being hilarious.

And I can live with that.

~Shelley

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Don’t forget to check out what’s cookin’ in the Scullery and what we all gossiped about down in the pub. Or check out last month’s post and catch up.

23Jun2013

A little night music

Posted in Mountain life, Nature, Nocturnal hours, Summer by Shelley Sackier

Victorian-era Engraving of the Man in the Moon (Photo credit: Wikipedia)

I’ve not been sleeping well lately. The temporal length of night stretches endlessly, a slow, measured awareness of time. I close my eyes and try to center on my breath, but my active mind is unwavering and demanding.

Many nights I’ve given up the pursuit of sleep. I find the more I struggle, the more energy I expend. And energy has a way of creating energy. Therefore, it’s often best I slip into this fine-spun, cottony existence: a night shift form, a continuance of nocturnal wakefulness.

I find I am never alone. There are others who occupy these hours and regularly show up for the anchor watch.

What is it that wakes me? It could be the moon.

At the moment, it’s fully round and luminous, as large and potent as a Hollywood spotlight advertising a movie premier. It peers through the glass door to my bedroom balcony, illuminating the room as if the dinner party was finished, all the guests have left and we were preparing to search for a woman’s lost earring.

Sometimes I’ll wander outside, amazed at the clarity of night, convinced this might be an opportune time to bend down and finally weed a patch of garden I regularly ignore. But then I am distracted by the fireflies.

And what are their briefly kindled bodies if not a wink meant to tease? Like a child drawn to the sound of the tinkling ice cream truck, I too must chase these will o’ the wisps, to catch one maybe, or simply be close enough to see their alluring alchemy up close.

Maybe it is the forlorn owl, woebegone and patient in his solicitous appeal to be answered, that rouses me from my listless state. I’ve heard his beseeching notes seep through the stone and wood and plaster meant to protect me from such invasive intrusions. But perhaps his degree of desolation is one that travels in a way yet undefined, but innately known.

The whippoorwill converses with friends. He is persistent with his practice, determined to perfect a call with nuance so subtle, only the finest and truly dedicated of musicians would recognize this desperate quest for perfection. I hear the same pursuit from the scales and arpeggios of my daughter’s violin–often at that bewitching hour–late and lonely and languid. To me, it’s up and down and up again. To her, it’s day and night, oil and water, thick and thin. The differences so palpable, so sharp, and so lonesome a club membership.

Oftentimes, I’m brought out of my light stupor by the chorus of coyotes at a rowdy clan gathering. Their yipping, crazed cries for action depict a bloodthirsty plan, and its poorly written code is broken by my nervous sheep. They send their own secret slang that easily reveals their fearful tally of the numbered enemies. At this point, my faithful hound lifts his sleep-laden head and rouses to the call of duty. He takes one moment to listen intensely for classification of intruder and direction of the assailants and then he blasts through his door like a bullet out its chamber.

There is a forceful announcement of the acknowledged trespassing–a warning shot thrown over the bow–and a detailed promise of injury to come, his amplified version of Don’t make me come down there.

Then again, it’s nearly impossible to sleep through the din of amphibious pining. Once the Festival of Frog has begun, nothing but a cold snap will freeze their lips shut, and this is a long way off. Yet their summer sonata is a resonant one where the cold-blooded instruments move with ease from croak to peep to trill. They are an orchestra sans conductor, impromptu with timing, but lyrically musical with their swampy cadence.

It may easily be the sound of the crickets keeping sleep at bay. They punch in for work as soon as the afternoon shift of cicadas clocks out, one choir replacing another. Except their tune melds effortlessly into mind-numbing Muzak. That is, until there is one lone fellow, desperately lost and forever separated from his family, who seeks sanctuary beneath my bed, calling for reinforcements.

More likely it is the sound of a stirring breeze that catches my ear. This is the intro to the flutter of leaves, which whirl in a tiny, tight panic. Another nod to the wind section excites the wind chime section, which announces the herald of the low timbalic register of thunder. Distant and rumbling at first, it can quickly crescendo to clashing blows and a tremulous, foundation shaking finale. No lullaby, indeed.

When the performance is finished, I envision the remaining debris: leaves scattered like discarded paper programs and sticks tossed like spent sparklers from an Independence Day display.

But it is still night, and I am still awake.

The only remaining sounds are that of the tired dog, tasting something yet uncaught in his drowsy moment of rest between patrols, and the sleuthing cat, who cannot manage a leap up onto furniture without uttering the human equivalent of an “alleyoop,” and cannot come down from any without allowing a forceful grunt of air to audibly demonstrate the effort as well.

No matter. I choose to look at this misfired attempt at sleep as a mere rehearsal: one meant to work out the squeaks and missed notes. It’ll all be fine come show time.

Practice makes perfect.

~Shelley

Don’t forget to check out what we’re cookin’ in the Scullery (here) and what we all talked about down in the pub (here). And to see more of Robin Gott’s humor–all from the only pen carved from a human funny bone–click here.