Living in a Crack House

“It is NOT possessed!” I shout into the phone to one of my friends, who—because she allows me to shout at her when necessary—is exceptionally dear to me.

And that is a number one rule of friendship in my book. To truly be friends, you must be able to display your well-developed lung power and not be judged as super shouty and hysterical. You are merely passionate.

And I am passionately explaining to her that my house is not ruled by demonic forces.

“My house is just making a few unusual noises,” I explain. “Popping and cracking not moaning and groaning. What you’re describing is a dwelling that gets a movie deal and starts showing two weeks before Halloween.”

I put the phone down on her. Not in a huffy, I-hate-you-and-this-girl-gang-thing-we’ve-got-going-on-is-so-over kind of a way, but rather in the I’ve-work-to-do-plus-you-make-no-sense kind of a way. There’s a difference. And we both know it.

And I also know that my house is NOT haunted.

I’m going to guess that everybody’s abode makes noise in some fashion or another, but most of us are either surrounded by so much superfluous noise we don’t hear it, or we blame it all on our teenage sons—whether we have one or not. Let’s face it. They are responsible for many of the world’s ‘unresponsive to medication’ headaches.

It all started a couple of weeks ago as I was working at my desk, in a house I believed to be devoid of noise. I nearly jumped out of my skin at the massive crack that filled the air.

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Because I was so submerged in writing, the only thing that pulled me to the surface was the loud sound. Not the direction the sound came from, nor an inkling as to what caused it. I shrugged and went back to work. But just like a toddler tugging at your shirt as you are trying to hold a conversation with the pediatrician, and the pediatrician is rattling off the ‘follow these directions for medication treatment or death is imminent’ jargon, that toddler will be heard. Two more tugs—er, cracks soon followed.

And these I hunted down. Somewhere on the second floor, I surmised. There was nothing obvious to explain the sounds. No great chunk of ceiling had fallen. No wall had caved in. There was no disarray on the floor to suggest the handiwork of feline tomfoolery. It was as I’d last left it. Which, quite honestly, I could not accurately pin down on the calendar. When had I last been up here?

I returned to my usual post and passed the rest of the day enjoying the sounds of nothing but the gear shifts deeply embedded within my brain.

Hours later, while preparing a lavish meal of tinned food and kibbles for the critters, I was struck dumb at the encore of cracks identical from earlier in the day. I rushed to where I was positive the sounds had sprung from and looked up. I was standing right below my daughter’s closet. I laughed and then explained to the dog. “It makes perfect sense. Remember those two car-sized suitcases we lugged into the trunk just before taking her back to university? Yep. That’s this part of the house springing back into its original shape from no longer having to hold the weight of her clothing.”

But I remained curious. And then noticed these pops and cracks coming from other places in the house. In particular, the windows at sunset.

I decided I was in dire need of an expert so I hunted down a friend of mine who happens to be an architect.

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“So what the heck is happening? I’m beginning to feel like I’m living in a house that sounds like a bowl of Rice Krispies.”

He laughed, rolled up his sleeves, and took a big breath.

“There’s an inordinate amount of chatter taking place in the average home that covers up what your non-demonic, unhaunted, not-specter-infested house is trying to say. Turn off the TV. Unplug the radio. Slap a strip of duct tape over the pie hole of anyone that steps across your threshold and listen. Really listen.”

I did.

To him—for the next thirty minutes.

“Your house is a living, breathing, organic structure. The cold, the heat, the rain, a drought—it all has an effect—and a gloriously audible one on your home.”

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I leaned back a little in my chair. He was starting to spray spit with his enthusiasm.

“Your wood expands and contracts, the nails twist and pop with the friction of those movements. Your foundation responds to the shifting ground. The glass in your windows reacts to the sudden loss of heat at sunset. It’s marvelous. The physics of it all is absolutely marvelous!” He slapped the table with a great big WHACK for emphasis.

I nodded and glanced around to see a mother gather up her toddler and his toys, and move him to a table that would clearly give her a head start if things went further south.

“And have you ever listened to your house breathe? The air ducts are like esophagi. And the pipes that run through the floors and ceilings carrying water are like blood vessels. The wiring and circuitry are equivalent to the electrical impulses of the brain. Your house is alive—”

“Oops—hold that thought.” I leaped from the table and waved my phone at him. “Gotta take this.”

There was no incoming, but I dashed off the numbers for an outgoing lickety split. I called the friend who doesn’t mind my non-hysterical shouty conversations.

“Just to let you know, I now have confirmation that the house is not possessed. Everything I’m hearing is normal. It’s all engineering and physics behind the noises.”

“Bully for you,” she said in the snarky dulcet tones I have grown to love.

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“Thanks. But do you happen to have the number of a priest who does exorcisms?”

There was a slight pause on her end of the phone. “I thought you said the house wasn’t possessed.”

“It isn’t,” I said. “But the architect I’m sitting across from is.”

~Shelley

*PHOTOS OF ROBIN GOTT IN HIS NEW PLAY!* (click)

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

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