Rabbit Holes: Some Call it Daydreaming, Writers Call it Work

Aristotle argued that all objects craved their “natural place,”—the geocentric center of the universe. That would be Earth. Okay, well at the time Aristotle was sucking in air Earth was considered the be all end all.

And maybe yes, there exist a few folks who still believe this and are lagging a bit behind with their history homework, not having quite caught up to where the rest of us live—aka more than two thousand years in the future. And within the world of fairly trustworthy science.

Although, to be fair, the science we all believed one hundred—or even one thousand years ago was believed to be trustworthy too.

Until it wasn’t.

Regardless, it was explained to me that ‘Aristotle believed that a dropped rock fell to the earth because rocks belonged on earth and wanted to be there.’

This is from a book currently resting on my bedside table: But What If We’re Wrong? By Chuck Klosterman.

Often, I liken myself to Aristotle’s rock. I belong at my desk, in front of my screen, with my hands hovering over my keyboard, and my eyes effortfully scanning words across a page.

Except thankfully, there are other forces of nature at play (read friends and family) that repeatedly fight Aristotle’s idea of gravity where I am concerned, shoving me out into the world where people and ideas are in mix and at play.

I am not at all a fan of going places where you have to make eye contact with others, or exchange words that add up to more than those in a haiku, or share the same oxygen molecules. This behavior comes about just before birth when whichever deity is creating your personality profile decides you’ll be a professional recluse and switches on the genetic codes for artless, awkward, blundering bore.

But ultimately these opportunities are the catalyst that make the question WHAT IF burble up from the basement of my brain. And that is not an altogether unpleasant feeling.

It starts like indigestion but then belches out with measurable relief.

Yes, regularly I collect data to support the theory that I should simply stay home and away from crowds (read anyplace another person is already occupying), but more often than not, I am wide-eyed with surprise to discover the hidden gems of history, or art, or that people have moved on from wearing elastic waist pants and eyeglass ropes.

Except no. Turtlenecks are here to stay, dammit. (And the earth is the center of the universe … Yeah, yeah, I hear you.)

The WHAT IF question is one I have pinned up on my computer screen. It is the foundation for creative thinking. And creative thinking is the foundation for creative writing. And creative writing is the foundation for paying my bills—as people will not buy books that scream, “I’m exactly like that story you just read yesterday only my characters are Latvian!”

Yeah, not gonna fly.

But how many of us practice asking WHAT IF (insert head scratching query here) in real life? Chuck Klosterman did because he had to write a book where he asked a pile of crackerjack thinkers questions about their level of confidence on subjects like physics, and time, and whether AOL would ever come back into fashion.

And I do it because the thought of copying someone else’s ideas and simply giving them a limp and an accent is about as creatively appealing to my brain as separating all of the lint from my dryer into individual color piles.

Also because I enjoy electricity and food. Again … near carbon copies of other people’s tales do not equate to financial security. And more often than not a lawsuit.

But in real life? I’m not terribly sure I engage in this examination. Not nearly often enough anyway.

And maybe not at all ever—but that would be wholly embarrassing to admit on a public platform so let’s all pretend I didn’t, okey dokey?

This is not some sort of mid-life crisis desperate attempt to fill ever widening, fathomless gaps in my life, but rather just an everyday exercise of whim and whimsy. And okay, maybe a touch of the age thing, but hush—just follow me here.

It’s a fairly effortless task in my working realm, as the sky is the limit ergo, nothing is absurd. I can confidently lean back in my chair and ponder the impossible:

WHAT IF my main character quit his job, won the lottery, or discovered he had cancer?

WHAT IF my guy slowly starts to disappear, or can now communicate with polar bears, or wakes up with knees that can bend fully backward?

WHAT IF he can think himself anywhere, or program the earth to stop spinning, or activate himself to become any element in the periodic table?

WHAT IF every fictional character ever written about comes alive? WHAT IF we discover that our laws of physics only work this way on earth because we’re stuck on some default setting of one on a scale of ten and the answer has been printed on the last page of every IKEA instruction booklet?

Yeah … rabbit holes.

But I rarely spend time going into that warren when I and my life are the subjects for consideration. And it might be fun—if not a little necessary at times.

We’re all full of certitudes in life. We’re sure our political view is wide enough, confident we think with deep consideration, positive we’re slightly above average—at least in comparison to the other yahoos we find ourselves surrounded by.

But what if we’re wrong?

What if I’m not really meant to be Aristotle’s rock?

What if I’m meant to be Aristotle?

If we’re all going to be proven wrong one hundred or one thousand years from now, where’s the risk, right?

Think the absurd. Be the absurd. Do the absurd. Accomplish the unthinkable.

Physician, heal thyself? How about writer, imagine thyself.

~Shelley

 

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And How Did That Make You Feel?

Writing a book involves a different recipe of elements for every author. Some folks must write down their story in a longhand format—

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handwritten on legal pads,

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printed in their super-secret diary, or even pieced together on a dry erase storyboard complete with enough 3M sticky note details to plaster a full-scale papier-mâché replica of the Empire State building.

Some of us owe trees a massive apology letter.

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Others are all about their space. They need absolute quiet—or absolute chaos. They need three screens, two dictionaries and a bottle of scotch at their elbow. Maybe they can only write on rainy days so the gloom of a gray day won’t allow the sun to reflect an enticing sparkle across their monitor and make them yearn for two hours of mowing the lawn. Or maybe the rule is that they only write on days when there’s a full moon, their desk is clean and they’ve just found a copper penny.

And some people need deadlines: a class, a critique group, an editor sending threatening daily emails asking where the damn pages are.

It’s a unique process and it’s individual to each writer.

Me?

I just need a therapist.

Seriously. That’s it. My go-to guy.

The way I see it, who knows more about the human condition and all of our frailties than someone who studies the Diagnostic and Statistical Manual of Mental Disorders for a living? Someone who can gossip at the water cooler about some miserable bloke with serious issues while legally define the gossip as “work?”

Yeah, I figure I’ve hit pay dirt.

So our conversations usually go something like this:

Him: So, what’s on your mind today?

Me: Ugh. How long have we got? An hour? Fifty minutes? Where’d you put your clock? You moved your clock. Did you paint in here?

Him: *silence*

Me: Yep. Smells like fresh paint. I wonder if paint fumes are something that kids can manipulate into drug experiences these days. Are you finding kids are coming into therapy with an addiction to paint fumes? Have you been treating anyone for that lately?

Him: Are you concerned that one of your kids may be struggling with an addiction?

Me: No. Well, who knows, right? There are a million different kinds of addictions so chances are they’ve got a few, but let’s just say they were—no wait, let’s not make it an addiction. Let’s say one of them was struggling with a transgender issue. Yeah. Much more interesting.

Him: Are one of your kids struggling with a transgender issue?

Me: No, but for the sake of this hour today, let’s just say that they are. Tell me everything about it. Wait. Let me get a pen.

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That’s my method.

It doesn’t work for everyone, but I’m not everyone. Unless you were to see the notes my therapist keeps on me, in which case, you might conclude I’ve got some multiple personality disorder. Seeing him each week and discussing “other people’s issues” might have my therapist thumbing through the back pages of his manual in an attempt to discover just how many times a brain can fracture and how many identities it can support.

Chances are, I’m adding a little zing to his day by not coming in with the same ol same ol “I’m just not feeling fulfilled and I think my kids hate me” routine.

That’s what I tell myself anyway.

But my point is—and I pray I have a point—I’m neck deep in the writing process again and it’s a time frame that usually puts me into a time warp. I bury myself so far down rabbit holes with research that I usually come out the other side and discover I’ve come up for air in the middle of a Chinese chicken coop.

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Yeah, deep.

It is incredibly easy for me to lose my “self” within the process and sharply disturbing to have phone calls like this one:

Daughter: Mom? Where have you been? Are you okay?

Me: Fine. What’s up?

Daughter: Seriously? I’ve phoned you four times in the last three hours and sent you eight texts. Did you not get any of my messages?

Me: Wait—I have a phone? Red flag. That would never happen in 18th century Scotland. Thanks for the anachronistic heads up.

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Daughter: *sigh* I need to talk to you about whether or not I can come home for Thanksgiving.

Me: Wait—hold on—I totally forgot about the beef tallow on the stove. I’ve seriously got to get cracking on those tapers. I’m turning meat scraps into Christmas candles. God, the holidays are going to be fun this year.

Daughter: Never mind. *click*

If you’re going to be a successful writer, you really have to dive into your characters. You have to live their lives, have their problems, embrace fleas.

Well, at least for this book.

You have to apologize to your friends and family for being unreachable, unpredictable and for effusing the personal odor of barn animals.

And you also need a therapist. Someone who will help you dig deeply into the problems of “others,” someone who will help you discover the backstory and motivation of your characters,

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and someone whose water cooler conversations will be highly sought after purely for the opportunity to shake their heads and mutter, “If only Freud could see us now.”

He’s my doyen, my muse, and my research assistant.

I owe him a lot.

Seriously.

He’s gotten, like, all of my royalties.

~Shelley

*ROBIN GOTT’s NEW POST* (click) 

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.